Èmí, Ofò, Asé: Elinga and the dance of the Mulheres do Àse

Auteurs

Mots-clés :

Ancestry, Decoloniality, African Diaspor, . Scenic Presence, Elinga

Résumé

The present study aims to discuss the notion of scenic presence based on the use of principles from African-diasporic cultural practices. The reflections presented emerge from the intersection between the development of postdoctoral research entitled Elinga and the performance Mulheres do Àse. It presents itself as discursive and structural basis the foundations of the Yoruba cosmogony èmí (breath of life), ofó (enchantment) and asé (vital energy) in dialogue with the concepts body-file, body-weapon, decoloniality, ritualization of the moment and scenic presence. 

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Biographie de l'auteur

Lau Santos, Universidade Federal da Bahia

Doutorando em teatro, departamento de artes cências/UDESC - autor do livro "tela e presença: o diálogo do ator com a imagem projetada".

Publiée

2020-06-26

Comment citer

Santos, L. (2020). Èmí, Ofò, Asé: Elinga and the dance of the Mulheres do Àse. Révue Brésilienne d’Études De La Présence, 10(3), 01–26. Consulté à l’adresse https://seer.ufrgs.br/index.php/presenca/article/view/102200

Numéro

Rubrique

Autres thématiques