Around Refuse The Hour, Kentridge and his Space-Time of Creation

Authors

  • Fanny Le Borgne (Université Paris III Sorbonne-Nouvelle – Paris, França) Paris 3 Sorbonne-Nouvelle

Keywords:

Kentridge, Interdisciplinarity, Process, Rehearsals, Workshop

Abstract

This article deals with a creative process born in the intersection of stage, cinema and visual  arts: the one of William Kentridge. In the polymorphic work of the South African artist, his movement between different forms of expression holds a key-role in his way of working. Taken between an installation and an exhibition, the progress around his show Refuse The Hour (2012) gives a relevant ground for the analysis of the stakes in a process of creation in movement between various artistic fields. From the studio to rehearsals, and through a rhythm of collective work, this text investigates the genetics of the show crossed by different space-times of creation.

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Author Biography

Fanny Le Borgne (Université Paris III Sorbonne-Nouvelle – Paris, França), Paris 3 Sorbonne-Nouvelle

Scénographe de formation et de métier, Fanny Le Borgne a soutenu en 2012 un mémoire de recherche en études théâtrales sur William Kentridge à l’université Paris 3 Sorbonne-Nouvelle. Elle s’intéresse aux liens entre art plastique et scène et aux processus de création.

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Published

2022-10-16

How to Cite

Le Borgne (Université Paris III Sorbonne-Nouvelle – Paris, França), F. (2022). Around Refuse The Hour, Kentridge and his Space-Time of Creation. Brazilian Journal on Presence Studies, 3(2), 481–495. Retrieved from https://seer.ufrgs.br/index.php/presenca/article/view/37504

Issue

Vol. 3 No. 2 (2013): maio/ago. 2013

Section

Theatrical Genetics

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