The Performative Nature of Dramatic Imagination

Authors

Keywords:

Imagination, Drama, Performance, Acting, Performance Philosophy

Abstract

Creative imagination is a central concept in critical philosophy which establishes the framing faculty of the subject in the middle of the cognitive process. Linking the internal and the external, imagination is also key for dramatic acting methodologies. This mediation has been alternatively interpreted in Western tradition under a reversible perspective, giving priority to either the process that goes from the outside inwards (aesthesis) or just the opposite (poiesis). Going beyond dialectics, this article will connect philosophy with dramatic theory. My proposal explores the virtual drama of identity to emphasise how the transcendental and empirical get linked theatrically.

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Author Biography

Rubén Vega Balbás, Universidad Nebrija - Madrid

Rubén Vega Balbás. aka Rubén Vejabalbán, is an artist, scholar, and polymath in imagination and research in artistic creativity. Works on performance and philosophy, dramatic theory, cybernetic art, communicative devices, and pedagogy of the arts. Holds a PhD in Applied Creativity (Universidad Complutense de Madrid). Founder of the Centro Imaginario de Estudios Artísticos (Madrid, Spain). Member of the Nebrija ComAcAr Research Group.

Published

2022-09-27

How to Cite

Vega Balbás, R. (2022). The Performative Nature of Dramatic Imagination. Brazilian Journal on Presence Studies, 10(1), 01–25. Retrieved from https://seer.ufrgs.br/index.php/presenca/article/view/99920

Issue

Section

Performance Philosophy