Body and Decoloniality in Performing Poetic Composition

Authors

  • Marina Fazzio Simão (Universidade Federal da Integração Latino-Americana – Foz do Iguaçu/PR, Brazil) Universidade Federal da Integração Latino-Americana – UNILA, Foz do Iguaçu/PR, Brazil
  • Juliano Casimiro de Camargo Sampaio (Universidade Federal do Tocantins – UFT, Palmas/TO, Brazil) Universidade Federal do Tocantins – UFT, Palmas/TO, Brazil

Keywords:

Theater. Decoloniality. Body. Performing Poetic Composition. Performing Practice.

Abstract

The text is situated between the arts, anthropology and philosophy and aims to answer the question: can the artistic process be understood as a means of decoloniality of the ordinary body? Methodologically, a literature review was carried out and it was analyzed an artistic process in which the authors participated. It emerges from Sampaio’s proposal (2007) concerning the atense body for the scene, which can be a fruitful way to reach the decoloniality of the everyday body.

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Author Biographies

Marina Fazzio Simão (Universidade Federal da Integração Latino-Americana – Foz do Iguaçu/PR, Brazil), Universidade Federal da Integração Latino-Americana – UNILA, Foz do Iguaçu/PR, Brazil

Marina Fazzio Simão holds a MSc in Latin American Studies (Universidade Federal da Integração Latino-Americana) and a teaching degree in theater – Art/Education (Universidade de Sorocaba). Member of the research group A Atual Cena Latino-Americana para Além dos Grandes Eixos Geográficos, coordinated by Professor PhD Fernando Faria. Teacher, actress and theater director in Foz do Iguaçu, PR. E

Juliano Casimiro de Camargo Sampaio (Universidade Federal do Tocantins – UFT, Palmas/TO, Brazil), Universidade Federal do Tocantins – UFT, Palmas/TO, Brazil


Juliano Casimiro de Camargo Sampaio - Associate Professor; post-doc in Education; post-doc, PhD and MSc in Psychology; B.A. in Performing Arts. Coordinator of the Laboratory of Performing and Poetic Composition, Narrativity and Construction of Knowledge and director of Eu-Outro Performing Research Center. Theater and dance director in Tocantins and São Paulo state.

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Published

2022-10-02

How to Cite

Simão (Universidade Federal da Integração Latino-Americana – Foz do Iguaçu/PR, Brazil), M. F., & Sampaio (Universidade Federal do Tocantins – UFT, Palmas/TO, Brazil), J. C. de C. (2022). Body and Decoloniality in Performing Poetic Composition. Brazilian Journal on Presence Studies, 8(4), 665–690. Retrieved from https://seer.ufrgs.br/index.php/presenca/article/view/85049

Issue

Vol. 8 No. 4 (2018): Oct./Dec.2018

Section

Decolonial Poetics and Pedagogies

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