Image: from cinema to performance

Authors

  • Carina Sehn
  • Paola Zordan (Universidade Federal do Rio Grande do Sul, Porto Alegre/RS, Brasil) Professora do PPGEDU UFRGS

Keywords:

Performance Art, Image, Body, Cinema, Representation

Abstract

In the scope of a research on the body arts, the text approaches the issue of image representation in face of corporeal forces. With Deleuze’s philosophical studies on cinema, we bring his image taxonomy, which passes from a movement-image to a time-image, and we also consider theater to analyze how an image is launched from a stratified and moralizing representation to a performative and resonating image. The work of contemporary artists allows and makes us think an image in its relation with the new, with what is impossible to restrain, with images produced by the art of performance, by a body which creates images successively.

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Author Biography

Paola Zordan (Universidade Federal do Rio Grande do Sul, Porto Alegre/RS, Brasil), Professora do PPGEDU UFRGS

Professora titular do PPGEDU Linha da Filosofias da Diferença e Educação Área: Artes, Educação e Filosofia 

Published

2022-10-14

How to Cite

Sehn, C., & Zordan (Universidade Federal do Rio Grande do Sul, Porto Alegre/RS, Brasil), P. (2022). Image: from cinema to performance. Brazilian Journal on Presence Studies, 4(3), 551–568. Retrieved from https://seer.ufrgs.br/index.php/presenca/article/view/44271

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