The Presence of Legacies in Contemporary Argentine Performances

Authors

  • Federico Baeza (Instituto Universitario Nacional del Arte - Buenos Aires, Argentina) Consejo Nacional de Investigaciones Científicas y Técnicas Instituto Universitario Nacional del Arte

Keywords:

Performance, Argentina, Generational Transmission, Daily Life, Contemporary Art

Abstract

Concerning the interdisciplinary space of performance, several Argentine productions of the last decade aim to reflect on the transmission of generational legacies that circulate in daily life. We will focus on Verónica Gómez’s works that document and analyze domestic inherited objects, then we will ponder over Gabriel Baggio’s production that investigates semiotic phenomena present in the transmission of images and practices, finally, we will focus on Ana Gallardo’s projects that have as themes constant narratives about memories and feelings.

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Author Biography

Federico Baeza (Instituto Universitario Nacional del Arte - Buenos Aires, Argentina), Consejo Nacional de Investigaciones Científicas y Técnicas Instituto Universitario Nacional del Arte

Licenciado en Artes por la Universidad de Buenos Aires (UBA), doctorando en la misma casa de estudios. Ha obtenido becas doctorales otorgadas por dicha universidad y por el Consejo Nacional de Investigación en Ciencia y Técnica (CONICET). Es profesor de grado y posgrado en la carrera de Crítica de Arte en el Instituto Universitario Nacional del Arte (IUNA).

Published

2022-10-16

How to Cite

Baeza (Instituto Universitario Nacional del Arte - Buenos Aires, Argentina), F. (2022). The Presence of Legacies in Contemporary Argentine Performances. Brazilian Journal on Presence Studies, 3(3), 738–762. Retrieved from https://seer.ufrgs.br/index.php/presenca/article/view/39227

Issue

Section

Postdramatic Theatre in Argentina

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