Pan Pan Theatre Aesthetics

Authors

  • Noelia Ruiz (University College Dublin – Dublin, Irlanda) University College Dublin, Ireland

Keywords:

Contemporary Theatre, Postdramatic Theatre, Creative Processes, Company Analysis, Genetics of Performance

Abstract

This paper aims to elucidate Pan Pan Theatre’s aesthetics through an instance of their rehearsal process, especially in terms of their performance mode, which cannot be dissociated from their manifest intention to create a specific atmosphere. This paper explores Michael Kirby’s continuum between non-matrixed performance and complex acting, with regard to Pan Pan Theatre’s performance style, which enhances a particular conception of time and space as metonymic.

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Author Biography

Noelia Ruiz (University College Dublin – Dublin, Irlanda), University College Dublin, Ireland

M.A in Drama, Performance & Directing for Theatre, 1st Class Honours (UCD 2007) PhD Researcher (UCD 2008-2013) - ATCL (Associate Trinity College London) in Speech and Drama: Performance - Distinction. Trinity Guildhall, School of Music & Drama, London

Director, Performer & Dramaturg in several productions.

Published

2022-10-16

How to Cite

Ruiz (University College Dublin – Dublin, Irlanda), N. (2022). Pan Pan Theatre Aesthetics. Brazilian Journal on Presence Studies, 3(2), 447–457. Retrieved from https://seer.ufrgs.br/index.php/presenca/article/view/37294

Issue

Section

Theatrical Genetics