Dramaturgia circense e memória:
notas esparsas de uma historiadora que tece estripulias
Keywords:
circo - dramaturgia - memória - criação - História CulturalAbstract
This article discusses possible ways of relating contemporary circus dramaturgy and memory. Starting from an expanded notion of dramaturgy, it considers circus dramaturgy within the context of democratization of knowledge beyond traditional boundaries, such as the circus tent and traditional family structures, and the consequent opening to hybrid and collaborative creation processes. In dialogue with Cultural History, it proposes the understanding of artistic creation as a poetic record of memory. It seeks to address the creative dimension of memory rather than its monumental one. Finally, it contains sparse notes on the importance of considering the memory of creative processes themselves.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2025 Brazilian Journal on Presence Studies
This work is licensed under a Creative Commons Attribution 4.0 International License.
Readers are free to transfer, print out and use the articles published in the Journal, as long as there is always explicit mention to the author(s) and to the Revista Brasileira de Estudos da Presença and as long as there is no alteration of the original work. Any other use of the texts needs to be approved by the author(s) and by the Journal. By submitting an article to the Revista Brasileira de Estudos da Presença and having it approved, the authors agree to assign, without compensation, the following rights to the Journal: the rights of first publication and the rights to redistribute the article and its metadata to the indexing and reference services that the editors deem appropriate.
This journal use a Licença de Atribuição Creative Commons.
