Takarazuka Revue
acting methodology, scenic atmosphere and genre performance in Japanese musical theater
Keywords:
takarazuka, musical, Japão, Otokoyaku, TeatroAbstract
This article aims to expose the elements that create the scenic atmosphere and legitimize the takarazuka theater as a performing language, based on the experience of two shows: Rose of Versailles and Once Upon a Time in America. The analysis was divided into three elements: acting methodology – based on Stanislavski and Tadashi Suzuki –, scenic atmosphere – based on Max Reinhardt’s total theater – and genre performance – based on the bishounen figure used by the otokoyaku actresses. The importance of this research is to understand how this performativity subverts, from its origins, the role of women as artists from the insertion of the "secondary gender" while negotiating with current gender standards through small reinventions and attributes. legacy technicians.
Downloads
Published
How to Cite
Issue
Section
License
Readers are free to transfer, print out and use the articles published in the Journal, as long as there is always explicit mention to the author(s) and to the Revista Brasileira de Estudos da Presença and as long as there is no alteration of the original work. Any other use of the texts needs to be approved by the author(s) and by the Journal. By submitting an article to the Revista Brasileira de Estudos da Presença and having it approved, the authors agree to assign, without compensation, the following rights to the Journal: the rights of first publication and the rights to redistribute the article and its metadata to the indexing and reference services that the editors deem appropriate.
This journal use a Licença de Atribuição Creative Commons.
