Between the Dance that Registers and the Library that Dances, Dimenti turns Memory into History
Abstract
Between the Dance that Registers and the Library that Dances, Dimenti turns Memory into History – Created in 1998, the Dimenti Group from Salvador (BA) produces artistic works that blur the lines between scenic languages and modes of production, until finally becoming Dimenti Produções Culturais, a creative environment that today encompasses audiovisual, editorial and phonographic productions, events and festivals, among others. In this article the focus is on Tombé (2001) and Biblioteca de dança (2017) dance performances, as examples of this diversified production. The aim is to point out, from the perspective of its members, the authorial traits that persist in Dimenti’’s creative trajectory, such as comicality, non-linearity and the incorporation of an ideological discourse of otherness.Downloads
Downloads
Published
How to Cite
Issue
Section
License
Readers are free to transfer, print out and use the articles published in the Journal, as long as there is always explicit mention to the author(s) and to the Revista Brasileira de Estudos da Presença and as long as there is no alteration of the original work. Any other use of the texts needs to be approved by the author(s) and by the Journal. By submitting an article to the Revista Brasileira de Estudos da Presença and having it approved, the authors agree to assign, without compensation, the following rights to the Journal: the rights of first publication and the rights to redistribute the article and its metadata to the indexing and reference services that the editors deem appropriate.
This journal use a Licença de Atribuição Creative Commons.
