Dance, body and memory: the Original Ballet Russe and its three seasons in Rio de Janeiro

Authors

Keywords:

Dança. História. Dança, História, Original Ballet Russe, Rio de Janeiro.

Abstract

This text presents reflections on studies of history, memory and dance. I start from the field of History and my interest in understanding the role of memory in knowledge production processes. As a case study, I examine the three Original Ballet Russe seasons in the city of Rio de Janeiro, which took place in 1942, 1944 and 1946. During this period, the company was seen as exemplary in its contribution to the building of Brazilian national ballet. I demonstrate how the discourse employed by the local press fueled these ideas. Guided by the methodological procedures of cultural history, I use dance critic Jaques Corseuil’s reviews as key sources.

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Author Biography

Beatriz Cerbino, Universidade Federal Fluminense - UFF

Beatriz Cerbino é professora da Universidade Federal Fluminense, do curso de graduação de Produção Cultural, no departamento de Artes e Estudos Culturais, e no Programa de Pós-Graduação em Estudos Contemporâneos das Artes - PPGCA UFF. É pesquisadora do INCT Proprietas, colaboradora da Rede Iberoamericana de Videodança - REDIV, e pesquisadora colaboradora do Projeto TEPe - Technologically Expanded Performance.

Published

2021-12-27

How to Cite

Cerbino, B. (2021). Dance, body and memory: the Original Ballet Russe and its three seasons in Rio de Janeiro. Brazilian Journal on Presence Studies, 12(1), 1–29. Retrieved from https://seer.ufrgs.br/index.php/presenca/article/view/119016

Issue

Section

Dance: History and Historiography

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