Presence in Lume’s Work as Temporal Enlargement and Oceanic Feeling

Authors

Keywords:

Presence, Aesthetics, Philosophy, Psychoanalysis, Freud.

Abstract

The article combines efforts to read Lume’s aesthetic based on possible philosophical connections supported by the notion of temporal enlargement and the Freudian concept of oceanic feeling. The philosophical-conceptual methodology was used to this end. The ideas of composition, fluctuation and saturation plane, delirium, the dissolution of borders and a sense of holistic connection stood out. Presence was the articulating element of Lume’s aesthetic, which is framed by the aforementioned conceptual principles. By exposing two possible receptions, the text intends the comparison with such knowledge to add layers of expansion to the theatrical aesthetic experience, not aiming to reveal meanings, but rather to propose intelligibilities.

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Author Biographies

Conrado Augusto Gandara Federici, Unifesp - Campus Baixada Santista

Conrado Augusto Gandara Federici has a degree in Physical Education, Master's and Doctorate in Education. Professor at the Health and Society Institute and coordinator of the Body and Art Laboratory at the Federal University of São Paulo (Unifesp) - Campus Baixada Santista.

Odilon José Roble, Unicamp

Odilon José Roble is Bachelor in Philosophy, Degree in Physical Education, Specialist in Psychoanalysis, Master and Doctor in Education. Professor at the Department of Physical Education and Humanities of the State University of Campinas (Unicamp).

Published

2021-06-30

How to Cite

Federici, C. A. G., & Roble, O. J. (2021). Presence in Lume’s Work as Temporal Enlargement and Oceanic Feeling. Brazilian Journal on Presence Studies, 11(3), 01–25. Retrieved from https://seer.ufrgs.br/index.php/presenca/article/view/112791

Issue

Section

LUME Theater