The Hybrid and the Dancing Body: a study of the Anglo-Saxon contemporary stage

Authors

  • Federica Fratagnoli (Universidade de Nice Sophia Antipolis, Nice, França) Université de Nice Sophia Antipolis

Keywords:

Contemporary Dance, South Asian Dance, Hybrid Creations, Indian Diaspora, Morphogenese

Abstract

Taking as starting point the experience of the artists of the Indian diaspora in England, the article suggests rethinking the role and the meaning of the term hybrid in the field of dance and of contemporary creation. Applied without distinction to any kind of multicultural artistic creation, this term conveys a plurality of senses, sometimes contradictory. Notions of contemporary biology will supply the theoretical tools for an analysis of the hybrid processes of creation, allowing a diversified reading of experiences often perceived as homogeneous.

Downloads

Download data is not yet available.

Published

2022-10-14

How to Cite

Fratagnoli (Universidade de Nice Sophia Antipolis, Nice, França), F. (2022). The Hybrid and the Dancing Body: a study of the Anglo-Saxon contemporary stage. Brazilian Journal on Presence Studies, 4(3), 486–508. Retrieved from https://seer.ufrgs.br/index.php/presenca/article/view/49597

Issue

Section

Other Themes

Similar Articles

1 2 3 4 5 6 7 8 9 10 > >> 

You may also start an advanced similarity search for this article.