From Oríkì to Elinga:

Black-Brazilian principles of acting and staging

Autores

  • Lau Pereira dos santos UFBA - Universidade Federal da Bahia

Palavras-chave:

Corporeities, Dramaturgy, Oríkì, Coloniality, Afro-Indigenous Cosmoperceptions

Resumo

The purpose of this article is to present reflections that seek to system Black- Brazilian principles of dramatic performance and staging. The studies presented aim to demonstrate the need for theoretical-practical thinking in the performing arts focused on an anti-colonial perspective, as opposed to a hegemonic Euro-referenced vision. Thus, the concept of dramaturgy is problematized as part of a colonial device to control subjectivities. The theoretical-practical studies and the underlying arguments of this text were systematized with a basis in counter-hegemonic scenic experiments investigated in workshops, courses, and classes in which creative processes were developed, which do not separate the languages of dance, theater and performance.

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Biografia do Autor

Lau Pereira dos santos, UFBA - Universidade Federal da Bahia

Doutorando em teatro, departamento de artes cências/UDESC - autor do livro "tela e presença: o diálogo do ator com a imagem projetada".

Publicado

2022-10-27

Como Citar

dos Santos, L. P. (2022). From Oríkì to Elinga: : Black-Brazilian principles of acting and staging. Revista Brasileira De Estudos Da Presença, 12(4), 1–24. Recuperado de https://seer.ufrgs.br/index.php/presenca/article/view/126435

Edição

Seção

Poéticas negras na cena contemporânea

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