Ambivalências de gênero e sexualidade nas narrativas danmei
uma análise da obra de Mo Xiang Tong Xiu
DOI:
https://doi.org/10.19132/1807-8583.56.136624Palabras clave:
Danmei, boys love, Mo Xiang Tong Xiu, gênero, sexualidadeResumen
O presente ensaio discute a obra da autora chinesa Mo Xiang Tong Xiu, cujas novels vêm alcançando sucesso mundial. A obra da autora é parte de um gênero literário conhecido como danmei, que se concentra em relacionamentos românticos entre personagens masculinos, comumente produzido e consumido por mulheres. O texto começa por explorar as ambivalências de gênero e sexualidade presentes nas obras de danmei, além de discutir o impacto da censura do Estado chinês sobre tais conteúdos. Em seguida, através de uma análise descritiva, o texto busca compreender como a obra de Mo Xiang Tong Xiu incorpora essas ambivalências, atuando, paradoxalmente, com o reforço e a ruptura de estereótipos de gênero.
Descargas
Citas
BAO, Hongwei. Queer China: lesbian and gay literature and visual culture under postsocialism. London: Taylor & Francis, 2020.
BEZERRA, Fernanda. Como analisar uma obra de Mo Dao Zu Shi (Grandmaster of demonic cultivation). Recife: UFPE/Centro de Estudos Asiáticos, 2022.
CHAO, Shih-chen. Grotesque eroticism in the danmei genre: the case of Lucifer's Club in chinese cyberspace. Porn Studies, London, v. 3, n. 1, p. 65-76, 2016. Disponível em: https://doi.org/10.1080/23268743.2015.1119991. Acesso em: 10 abr. 2023.
CHEN, Cat. Danmei, the feminism awareness under the Chinese patriarchal society. Medium, San Francisco, 21 Apr. 2022.
CHEN, Xi. Chinese wuxia drama to debut in South Korea in late May. Global Times, Beijing, 12 May 2021.
LEA H. China’s most popular gays: the untamed hits 10 billion views. Q Plus Magazine, [s.l.], 2 Jan. 2022.
FENG, Jin. “Addicted to beauty”: consuming and producing web-based chinese “Danmei” fiction at Jinjiang. Modern Chinese Literature and Culture, United Kingdom, v. 21, n. 2, p. 1-41, 2009.
GE, Liang. Dual ambivalence: the untamed girls as a counterpublic. Media, Culture & Society, Thousand Oaks, v. 44, n. 5, p. 1021-1033, 2022. Disponível em: https://doi.org/10.1177/01634437221104713. Acesso em: 10 abr. 2023.
HU, Tingting et al. Masculinity in crisis? Reticent/han-xu politics against danmei and male effeminacy. International Journal of Cultural Studies, Thousand Oaks, v. 3, n. 26, p. 274-292, 2023. Disponível em: https://doi.org/10.1177/13678779231159424. Acesso em: 10 abr. 2023.
KEE, Tan Bee. Rewriting gender and sexuality in English-language yaoi fandom. In: Levi, Antonia; McHarry, Marky.; Pagliassotti, Dru (ed.). Boys’ love manga: essays on the sexual ambiguity and cross-cultural fandom of the genre. Carolina do Norte: McFarland & Company, 2010. p. 126-156.
KIRICHANKAYA, Michele. ‘The Untamed’ builds a queer relationship despite chinese censorship. Collider, Miami, 6 Mar. 2023.
LIU, Ting. Conflicting discourses on boys’ love and subcultural tactics in mainland China and Hong Kong. Intersections: Gender and Sexuality in Asia and the Pacific, Camberra, v. 20, p. 1-32, 2009.
MARTIN, Fran. Girls who love boys' love: japanese homoerotic manga as trans-national Taiwan culture. Inter-Asia Cultural Studies, London, v. 13, n. 3, p. 365-383, 2012. Disponível em: https://doi.org/10.1080/14649373.2012.689707. Acesso em: 10 abr. 2023.
MENG, Lei. 耽美作品改编盛行带偏大众审美 [The prevalence of adaptations of danmei works has led to a deviation in public aesthetics]. Guangming Daily, Beijing, p. 14, 7 Apr. 2021.
MOSCOVICI, Serge. A representação social da psicanálise. Rio de Janeiro: Zahar, 1978.
NI, Zhange. Xiuzhen (immortality cultivation) fantasy: science, religion, and the novels of magic/superstition in contemporary China. Religions, Basel, v. 11, n. 1, p. 25, 2020. Disponível em: https://doi.org/10.3390/rel11010025. Acesso em: 10 abr. 2023.
ROMANO, Aja. The untamed, streaming on Netflix, ripped my heart out and fed it to me. I can’t get enough. Vox, New York, 27 Mar. 2020.
SILVA, Nojiri. O que é “Chuunibyou” e a sua presença nos mangás shounens. Medium, San Francisco , 5 Oct. 2018.
SULLIVAN, Helen. China’s ‘rotten girls’ are escaping into erotic fiction about gay men. The Guardian, London, 13 Mar. 2023.
THE NEW YORK TIMES. Paperback trade fiction. The New York Times, New York, 2 Jan. 2022.
WANG, Aiqing. Censorship and circumvention in China: how danmei writers ‘drive a car’on Jinjiang. International Journal of Media Culture and Literature, Turkey, v. 6, p. 137-169, 2020. Disponível em: https://doi.org/10.17932/IAU.IJMCL.2015.014/ijmcl_v06i2003. Acesso em: 10 abr. 2023.
XIU, Mo Xiang Tong. Grandmaster of demonic cultivation: Mo Dao Zu Shi. Los Angeles: Seven Seas Entertainment, 2021a. v. 1.
XIU, Mo Xiang Tong. Heaven official’s blessing: Tian Guan Ci Fu. Los Angeles: Seven Seas Entertainment, 2021b. v. 1.
XIU, Mo Xiang Tong. The scum villain’s self-saving system: Ren Zha Fanpai Zijiu Xitong. Los Angeles: Seven Seas Entertainment, 2021c. v. 1.
XIU, Mo Xiang Tong. Grandmaster of demonic cultivation: Mo Dao Zu Shi. Los Angeles: Seven Seas Entertainment, 2022a. v. 2.
XIU, Mo Xiang Tong. Grandmaster of demonic cultivation: Mo Dao Zu Shi. Los Angeles: Seven Seas Entertainment, 2022b. v. 3.
XIU, Mo Xiang Tong. Grandmaster of demonic cultivation: Mo Dao Zu Shi. Los Angeles: Seven Seas Entertainment, 2022c. v. 4.
XIU, Mo Xiang Tong. Heaven official’s blessing: Tian Guan Ci Fu. Los Angeles: Seven Seas Entertainment, 2022d. v. 2.
XIU, Mo Xiang Tong. Heaven official’s blessing: Tian Guan Ci Fu. Los Angeles: Seven Seas Entertainment, 2022e. v. 3.
XIU, Mo Xiang Tong. Heaven official’s blessing: Tian Guan Ci Fu. Los Angeles: Seven Seas Entertainment, 2022f. v. 4.
XIU, Mo Xiang Tong. Heaven official’s blessing: Tian Guan Ci Fu. Los Angeles: Seven Seas Entertainment, 2022g. v. 5.
XIU, Mo Xiang Tong. The scum villain’s self-saving system: Ren Zha Fanpai Zijiu Xitong. Los Angeles: Seven Seas Entertainment, 2022h. v. 2.
XIU, Mo Xiang Tong. The scum villain’s self-saving system: Ren Zha Fanpai Zijiu Xitong. Los Angeles: Seven Seas Entertainment, 2022i. v. 3.
XIU, Mo Xiang Tong. The scum villain’s self-saving system: Ren Zha Fanpai Zijiu Xitong. Los Angeles: Seven Seas Entertainment, 2022j. v. 4.
XIU, Mo Xiang Tong. Grandmaster of demonic cultivation: Mo Dao Zu Shi. Los Angeles: Seven Seas Entertainment, 2023a. v. 5.
XIU, Mo Xiang Tong. Heaven official’s blessing: Tian Guan Ci Fu. Los Angeles: Seven Seas Entertainment, 2023b. v. 6.
XIU, Mo Xiang Tong. Heaven official’s blessing: Tian Guan Ci Fu. Los Angeles: Seven Seas Entertainment, 2023c. v. 7.
XIU, Mo Xiang Tong. Heaven Official’s Blessing: Tian Guan Ci Fu. Los Angeles: Seven Seas Entertainment, 2023d. v. 8.
XIU, Mo Xiang Tong. [Página do autor]. JJWXC.net, [s.l.], 26 Mar. 2024.
YANG, Ling; XU, Yanrui. Danmei, Xianqing, and the making of a queer online public sphere in China. Communication and the Public, Thousand Oaks, v. 1, n. 2, p. 251-256, 2016. Disponível em: https://doi.org/10.1177/2057047316648661. Acesso em: 10 abr. 2023.
ZHANG, Chunyu. Loving boys twice as much: Chinese women’s paradoxical fandom of “boys’ love” fiction. Women's Studies in Communication, London, v. 39, n. 3, p. 249-267, 2016. Disponível em: https://doi.org/10.1080/07491409.2016.1190806. Acesso em: 10 abr. 2023.
ZHAO, Jin. Danmei, a genre of Chinese erotic fiction, goes global. The China Project, New York, 24 Feb. 2022.
ZHOU, Yanyan; PAUL, Bryant; SHERMAN, Ryland. Still a hetero-gendered world: a content analysis of gender stereotypes and romantic ideals in Chinese boy love stories. Sex Roles, New York, v. 78, p. 107-118, 2018. Disponível em: https://doi.org/10.1007/s11199-017-0762-y. Acesso em: 10 abr. 2023.
ZHOU, Xiao. Virginity and premarital sex in contemporary China. Feminist Studies, Ithaka, v. 15, n. 2, p. 279-288, 1989. Disponível em: https://doi.org/10.2307/3177788. Acesso em: 10 abr. 2023.
Descargas
Publicado
Cómo citar
Número
Sección
Licencia
Derechos de autor 2024 Priscila Muniz de Medeiros, Stéphanie Medeiros, Rian Paulo Ferreira

Esta obra está bajo una licencia internacional Creative Commons Atribución-NoComercial 4.0.
Los derechos de autor de los artículos publicados en esta Revista pertenecen a los autores, y los derechos de la primera publicación están garantizados para la revista. Por estar publicados en una revista de acceso libre, los artículos son de uso gratuito, con la atribución apropiada, en las actividades educativas y no comerciales.
La revista utiliza la Licencia Creative Commons Attribution (CC BY-NC 4.0), que permite el intercambio de trabajo con el reconocimiento de la autoría.
Autoarchivo (política de repositorios): se permite a los autores depositar todas las versiones de sus trabajos en repositorios institucionales o temáticos, sin período de embargo. Se solicita, siempre que sea posible, que se agregue la referencia bibliográfica completa de la versión publicada en Intexto (incluido el enlace DOI) al texto archivado.
Intexto no cobra ninguna tarifa por el procesamiento de artículos (article processing charge).