Generative artificial intelligence for arts education: dialogue and critical analysis on the concept of creative experience
DOI:
https://doi.org/10.22456/2357-9854.144345Keywords:
Art Education, Generative Artificial Intelligence, Creative Experience, Simulacrum, DialogueAbstract
The chapter “What is the link between art and artificial intelligence from a critical pedagogical practice?” proposed by Escaño and Osuna-Acedo (2024) offers a posthuman reflection on artificial intelligence (AI), arts, and critical education. The dialogical exercise presented in this article continues and deepens the reflection by analyzing, between the human subject and generative AI, the concept of creative experience, an epistemological context requiring a critical component and ethical and educational commitment.
Downloads
References
ARROYO-SAGASTA, Amaia. (Coord.). Inteligencia artificial y educación: construyendo puentes. Barcelona: Graó, 2024.
BAKER, Camile C.; SICCHIO, Kate. (Eds.). Intersecting Art and technology in practice: techne/technique/technology. Nueva York: Routledge, 2016.
BAUDRILLARD, Jean. Cultura y simulacro. Barcelona: Kairós, 2005.
BARTHES, Roland. El susurro del lenguaje. Más allá de la palabra y la escritura. Barcelona: Paidós, 1987.
CRESWELL, Jonh W. Research design: qualitative, quantitative, and mixed methods approaches. Londres: Sage Publications, 2014.
DELEUZE, Gilles; GUATTARI, Felix. ¿Qué es la filosofía? Barcelona: Anagrama, 2019.
DENZIN, Norman K. The research act: a theoretical introduction to sociological methods. Nueva York: Routledge, 2012.
ESCAÑO, Carlos; OSUNA-ACEDO, Sara. ¿Cuál es el vínculo entre el Arte y la Inteligencia Artificial desde una práctica pedagógica crítica? En A. Arroyo-Sagasta, A. (Coord.), Inteligencia artificial y educación: construyendo puentes. p. 83-98. Barcelona: Graó, 2024.
FAIRCLOUGH, Norman. Critical discourse analysis: the critical study of language. Londres y Nueva York: Longman, 2013.
FREIRE, Paulo. Pedagogía del oprimido. Madrid: Siglo XXI, 1999.
GADAMER, Hans-Georg. Truth and method. Londres y Nueva York: Continuum, 2004.
JAMESON, Fredric. Teoría de la postmodernidad. Madrid: Trotta, 1996.
KRIPPENDORFF, Klaus. Content analysis: an introduction to its methodology. Londres: Sage Publications, 2018.
MACHADO, Penousal; ROMERO, Juan; GREENFIELD, Gary. (Eds.). Artificial intelligence and the arts. Computational creativity, artistic behaviour, and tools for creatives. Berlín: Springer, 2021.
MARTÍN- PRADA, Juan. Teoría del arte y cultura digital. Madrid: Akal, 2023.
MARTÍN-PRADA, Juan. La creación artística visual frente a los retos de la inteligencia artificial. Automatización creativa y cuestionamientos éticos. Revista Eikon/imago, 13, 2024.
MERRIAM, Sharam B.; TISDELL, Elizabeth J. Qualitative research: a guide to design and implementation. Nueva York: Wiley, 2015.
NEUENDORF, Kimberly A. The content analysis guidebook. Londres: Sage Publications, 2017.
OPENAI. ChatGPT, 2024. https://chat.openai.com/chat
PALEY, Nina. Copyright is brain damage, 2015. https://www.youtube.com/watch?v=XO9FKQAxWZc&ab_channel=TEDxTalks. Acceso en: 15 de junio de 2024.
PASQUINELLI, Matteo. How a machine learns and fails. Spheres: journal for digital cultures, 5, 1–17, 2019.
PATTON, Michael Quinn. Qualitative research & evaluation methods. Londres: Sage Publications, 2015.
RICOEUR, Paul. Hermeneutics and the Human Sciences: essays on language, action and interpretation. Cambridge: Cambridge University Press, 2016.
SAWYER, R. Keith. Explaining creativity: the science of human innovation. Oxford: Oxford University Press, 2006.
STAKE, Robert E. The Art of Case Study Research. Londres: Sage Publications, 1995.
VAN DIJK, Teun A. Discourse and power. Londres: Palgrave Macmillan, 2008.
Downloads
Published
How to Cite
Issue
Section
License

This work is licensed under a Creative Commons Attribution 4.0 International License.
Readers are free to download, print and use the articles published in the Journal, as long as there is always explicit mention of the author (s) and GEARTE Journal and that there is no change in the original work. Any other use of the texts must be approved by the author (s) and the Journal. Upon submitting an article to GEARTE Journal and having it approved, the authors agree to assign, without remuneration, the following rights to the Journal: authors are allowed to publish and distribute their work online in institutional/disciplinary repositories or on their personal page.
This journal uses a Licença de Atribuição Creative Commons 4.0 Internacional.
















