Kaleidoscopic Landscapes: Photographic Colors and Sensations in the pandemic quotidian

Authors

Keywords:

Visual Anthropology, Dreamscape, Emotions, Cinema, Colors

Abstract

Through the proposal of capturing with our lenses the pandemic singularity, this photographic essay is the outcome of the “Confinement Ethnographies” workshop, conducted by The Department of Visual Anthropology, of which I am a member. To compose this essay, I apply emotions inducing colors used by horror cinema. Thus, creating a kaleidoscopic view of reality through images that enhance the experience of monolithic daily spaces.

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Author Biography

Mário Ferreira da Silva

Graduando em Ciências Sociais (NAVISUAL/UFRGS).

References

(1) NAVARRO, Meagan. From ‘Suspiria’ to ‘Midsommar’: The Psychology of Color in Horror. Bloody Disgusting, 2019. Disponível em: <https://bloody-disgusting.com/editorials/3567051/suspiria-midsommar-psychology-color-horror/>. Acesso em: 30 ago 2020

(2) CONTERIO, Martyn. Nicolas Winding Refn and the Art of Violence: A Visual Analysis. Scene360, 2016. Disponível em: <https://scene360.com/light/99031/nicolas-winding-refn/>. Acesso em: 30 ago 2020

(3) HELLER, Eva. A Psicologia das Cores: como as cores afetam a emoção e a razão, São Paulo: Editora Gustavo Gili, 2012

(4) GIALLO. Wikipedia. Wikipedia.org, 21 maio 2015. Disponível em: <https://pt.wikipedia.org/wiki/Giallo> Acesso em: 30 ago 2020

(5) KANNAS, Alexia. All the Colours of the Dark: Film genre and the Italian Giallo. In: Journal of Italian Cinema & Media Studies, v. 5, nº 2, 2017.

Published

2020-11-11

How to Cite

Ferreira da Silva, M. (2020). Kaleidoscopic Landscapes: Photographic Colors and Sensations in the pandemic quotidian. Fotocronografias, 6(14), 198–219. Retrieved from https://seer.ufrgs.br/index.php/fotocronografias/article/view/128437

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