Vol. 41 No. 3 (2023): Revista Cena

View Vol. 41 No. 3 (2023): Revista Cena

Na imagem, Daniela Aquino em Casa do Medo (2017) do Grupo Macarenando Dance Concept, que integra a tese de doutorado O performer na experiência cênico imersiva Casa do Medo, de Daniela Aquino Camargo, defendida em 2022 no Programa de Pós-Graduação em Artes Cênicas da UFRGS, com orientação da profa. Dra. Marta Isaacsson deSouza e Silva.

Foto: Daniela Aquino Camargo

Arte da Foto: Diego Mac

Published: 2023-09-06

Artigos

  • Motion capture: immersive strategy for the dancing body

    Daniel Silva Aires, Mônica Fagundes Dantas
    01 - 11
    DOI: https://doi.org/10.22456/2236-3254.131035

  • Piá: ancestrality, artistic creation and danced movement

    João Vítor Ferreira Nunes
    01 - 12
    DOI: https://doi.org/10.22456/2236-3254.133141

  • When gathering the bones, I sing: desire, power, affect and resistance in the genesis of the Cia de Teatro Arte in Cena

    Adriana Titon Balotin; Dionatan Daniel da Rosa
    01 - 11
    DOI: https://doi.org/10.22456/2236-3254.130060

  • A brief overview of the Jornal dos Debates’ theatrical ideas

    Gabriel Esteves
    01 - 11
    DOI: https://doi.org/10.22456/2236-3254.129994

  • From subtext to in between

    Angelene Lazzareti
    01 - 10
    DOI: https://doi.org/10.22456/2236-3254.133390

  • The dip element of the Vogue Femme dance: knee joint kinesiological analysis

    Bru Likes Borba, Aline Nogueira Haas, Danrlei Senger
    01 - 11
    DOI: https://doi.org/10.22456/2236-3254.130562

Entrevistas

  • Storyline of a deconstruction on the play "O Miolo da Estória"

    Raylson Conceição, Lauande Cutrim, Tania Ribeiro
    01 - 14
    DOI: https://doi.org/10.22456/2236-3254.134254