Assembling Shreds of History: dance and memory of the last Argentine civic-military dictatorship

Eugenia Cadús

Resumo


The article analyzes the play Retazos pequeños de nuestra historia más reciente (2010) choreographed by Daniel Payero for the Compañía Nacional de Danza Contemporánea, and its approach to the memory of the last Argentine civic-military dictatorship (1976-1983). Throughout this analysis, the article offers some thoughts on the embodied memory or the embodiment of the dictatorship’s memory as a repertoire or performance. How and what kind of memory do the dancing bodies have and evoke? Here, performance as embodied memory is presented as a fragmentary montage that alters the common place of official memory, allowing an intimate and affective dimension to arise.

Palavras-chave


Dance; Dictatorshi;. Memory; Retazos pequeños de nuestra historia más reciente; Daniel Payero

Apontamentos

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REVISTA BRASILEIRA DE ESTUDOS DA PRESENÇA - Brazilian Journal on Presence Studies - e-ISSN 2237-2660 - Universidade Federal do Rio Grande do Sul, Brasil - http://www.seer.ufrgs.br/presenca

 

       

 

 

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Licença Creative Commons
Este trabalho está licenciado com uma Licença Creative Commons - Atribuição 4.0 Internacional.