THE GENESIS OF URBAN SPACE AS AN ABYSS IN TWO NARRATIVES BY CONCEIÇÃO EVARISTO
DOI:
https://doi.org/10.22456/2238-8915.124880Abstract
In this work, we will focus on the displacements and perceptions of space created through the movement of bodies that transit in the in-between places, marking a (non)belonging, a recurring theme on the literary texts produced by black women. Considering that some theoreticians of space studies, as Massey (2008, p. 69), can discusses with the concept of "erosion of the heterogenous space", by Foucault (2013, s/p), by emphasizing the spatial affection that the bodies, socially marginalized, suffer in the global contexts of power (BHABHA, 1998, p. 292). For that matter, we will investigate the representation of two nominated space, respectively, from Buracão to Grota, in the romance Becos da Memória (2017) and in the short story "Grota Funda" (2017), by Conceição Evaristo. Therefore, we will be based on the discussions of Conceição Evaristo (2005), Nazareth Fonseca (2017), Simone Schmidt (2016), among others. Furthermore, the hypothesis that will orientate this study is that the abysm representation, in the short story, has its genesis in the romance, in the Buracão of the Favela.
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