Public policies and strategies for the promotion of indigenous arts: the australian model
DOI:
https://doi.org/10.22456/2357-9854.94294Keywords:
Indigenous arts. Public policies. Australia. Arts and politics.Abstract
This paper discusses some strategies developed in Australia to promote indigenous arts, including awards, codes of conduct for museums and traders, and support from the federal government to indigenous cooperatives. The Australian case is probably unique in the world in terms of the visibility, institutionalization and value that Aboriginal artists have achieved. In this sense, it offers an interesting contrast to reflect on the Latin American context. It also raises issues of ethical and political nature, in the case of a country with such a violent colonial past.Downloads
References
ALTMAN, John. Brokering Aboriginal art: a critical perspective on marketing, institutions and the state. Melbourne: Deakin University/Melbourne Museum, 2005.
CARUANA, Wally. Aboriginal art. London: Thames; New York: Hudson, 2003.
CLARK, Deborah e JENKINS, Susan (Orgs.). Culture warriors: australian indigenous art triennial. Camberra: National Gallery of Australia, 2007.
DODSON, Mick; ALLEN, David; GOODWIN, Tim. The role of the Central Land Council in Aboriginal land dealings. Camberra: Australian Agency for International Development, 2008.
DUSSART, Françoise. The politics of ritual in an Aboriginal settlement: kinship, gender and the currency of knowledge. Washington D.C.: Smithsonian Institute Press, 2000.
EATOCK Cathy; MORDAUNT, Kim. Copyrites. Documentário. Australian Film Finance Corporation Limited, 1997. 53 minutos.
GOLDSTEIN, Ilana Seltzer. Do 'tempo dos sonhos' à galeria: arte aborígine australiana como espaço de diálogos e tensões interculturais. 2012. 344 p. Tese (doutorado) – Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas, Campinas, SP. Disponível em: <http://www.repositorio.unicamp.br/handle/REPOSIP/281040>. Acesso em: 20 ago. 2018.
HEALY, Jacqueline. A fragile thing: marketing aboriginal art from remote areas. 2005. Tese (doutorado) – School of Art History, Cinema, Classics and Archeology, Universidade de Melbourne.
HEINICH, Nathalie. Le triple jeu de l’art contemporain. Paris: Éditions de Minuit, 1998.
JANKE, Terri; QUIGGIN, Robynne. Indigenous cultural and intellectual property and customary law. Aboriginal Customary Laws. Background Paper 12. Darwin: Northern Territory Law Reform Committee, 2003.
JOHNSON, Vivien. Papunya painting out of the desert. Camberra: National Museum of Australia Press, 2006.
KLEINERT, Sylvia & NEALE, Margo (eds). The Oxford Companion to Aboriginal Art and Culture. Melbourne: Oxford University Press, 2000.
McCULLOCH, Susan; CHILDS, Emily. McCulloch´s contemporary Aboriginal Art: the complete guide. Melbourne: Australian Art Books, 2009.
MORPHY, Howard. Becoming art: exploring cross cultural categories. Sydney, University od South Austrália Press, 2008.
MUNDINE, Djon. White Face/Black Mask. Artlink, v. 25, n. 3, 2005.
MUNDINE, Djon. The Aboriginal Memorial: we have survived. In: LEARY, Karen (Org.). World of dreaming: traditional and modern art of Australia [catálogo]. Camberra: National Gallery of Australia; São Petersburgo: State Hermitage Museum, 2000.
MYERS, Fred. Painting culture: the making of an aboriginal high art. Durham: Duke University Press, 2002.
SCHMIDT, Chrischona. Beyond suffering: the significance of productive activity for Aboriginal Australians. Honour Thesis apresentada ao Departmento de Antropologia da Universidade de Sydney, 2005.
WRIGHT, Felicity. The Art & Craft Centre Story, Volume One. A survey of thirty-nine Aboriginal community art and craft centres in remote Australia. Woden, Desart Inc., Aboriginal & Torres Strait Islander Commission, 1999.
WRIGHT, Felicity. The Art & Craft Centre Story, Volume Three. Good Stories from out bush: examples of best practice from Aboriginal art and craft centres in remote Australia. Woden, Aboriginal & Torres Strait Islander Commission, 2000.
Downloads
Published
How to Cite
Issue
Section
License
Readers are free to download, print and use the articles published in the Journal, as long as there is always explicit mention of the author (s) and GEARTE Journal and that there is no change in the original work. Any other use of the texts must be approved by the author (s) and the Journal. Upon submitting an article to GEARTE Journal and having it approved, the authors agree to assign, without remuneration, the following rights to the Journal: authors are allowed to publish and distribute their work online in institutional/disciplinary repositories or on their personal page.
This journal uses a Licença de Atribuição Creative Commons 4.0 Internacional.
















