Worded drawing
DOI:
https://doi.org/10.22456/2357-9854.64451Abstract
The series of drawings named Cross Narratives refers to a set of drawings made with charcoal, limestones and colored pastels on paper. The drawings are built of images in cross narratives overlapping as in a palimpsest, applying or overwriting in figures and graphics circumscribed that include multiple references to culture of three continents: America, Africa and Europe. It is set in overlapping or juxtaposition, where emerge or are buried. Shape signs walk on the surface of drawing that are part of the history of artistic shapes, in a way that changed the view of the world or the vision of art. The result is a drawing that, without wishing to be more than a storytelling, at the same time, have fun in questioning the cultural values that we are made today, uneasing us on our journey. Similarly, the storytelling for the eyes to the drawing for the ears, from the optical narrative emerges the worded drawing, or the non-place of drawing, but also as a being drawing, because in 5 minutes and 32 seconds, we can hear the drawing as another, but, without being the same.Downloads
Published
How to Cite
Issue
Section
License
Readers are free to download, print and use the articles published in the Journal, as long as there is always explicit mention of the author (s) and GEARTE Journal and that there is no change in the original work. Any other use of the texts must be approved by the author (s) and the Journal. Upon submitting an article to GEARTE Journal and having it approved, the authors agree to assign, without remuneration, the following rights to the Journal: authors are allowed to publish and distribute their work online in institutional/disciplinary repositories or on their personal page.
This journal uses a Licença de Atribuição Creative Commons 4.0 Internacional.
















