Vol. 43 No. 2 (2025): Revista Cena

View Vol. 43 No. 2 (2025): Revista Cena

Na imagem, cena do espetáculo Metamorphosis (2023), dirigido por Scott Graham, da Frantic Assembly, que integra a tese de doutorado Teatralidades acrobáticas: as corporeidades invertidas como dramaturgias da gravidade, de Guilherme Conrad, defendida em 2024 no Programa de Pós-Graduação em Artes Cênicas da UFRGS, com orientação da profa. dra. Inês Alcaraz Marocco.

Foto disponibilizada pela produção.

Published: 2025-04-30

Artigos

  • Below the Line: Premises of the Debate on Theater Criticism in the Weimar Republic

    Gabriela Siqueira Bitencourt
    DOI: https://doi.org/10.22456/2236-3254.145793

  • Approaches and Perspectives in Teaching and Learning Ballet at the University

    Oneide Alessandro Silva dos Santos
    DOI: https://doi.org/10.22456/2236-3254.145954

  • Linda Farkas: From Staff to Fire Tornado

    Fabio Dal Gallo, Cristina Alves de Macedo, Letícia Mello Neves , Ronald Luan Fernandes Amaral
    DOI: https://doi.org/10.22456/2236-3254.145987

  • Maria Fux and the Recife Art School: the Dance in Education Course

    Alexsander Barbozza da Silva
    DOI: https://doi.org/10.22456/2236-3254.144265

  • Neuroscience and the Performing Arts: Acting with the Right Side of the Brain

    Jair Leopoldo Raso
    DOI: https://doi.org/10.22456/2236-3254.142439

  • The Movie Palace and the Culture of Performativity in These Are the Stairs You Got to Watch by Tennessee Williams

    Fernanda Sales Rocha Santos
    DOI: https://doi.org/10.22456/2236-3254.142137

  • The Theater in the Community of Coletivo Estopô Balaio.

    João Rodrigo Vedovato Martins
    DOI: https://doi.org/10.22456/2236-3254.145675

  • Vereda da Salvação: Intersections Among Race, Gender and Belief in the Dramaturgy of Jorge Andrade

    André L. Rosa, Giovanna de Carvalho Gasino
    DOI: https://doi.org/10.22456/2236-3254.146232