Vol. 23 No. 40 (2023): Políticas e economias das artes da cena e do corpo

View Vol. 23 No. 40 (2023): Políticas e economias das artes da cena e do corpo

In the image, Viviane Lencina in the performance Fisiologia do Desespero (2018), which is part of the doctoral thesis Swing. Momentum. Impulse : Memory in the process of creation at Ânima Companhia de Dança, by Thais Coelho da Silva, defended in 2021 at the Graduate Program in Performing Arts at UFRGS, with guidance from prof. Dr. Monica Fagundes Dantas.

Photo: Joao Mattos.

Published: 2023-04-17

Editorial

  • Artes Da Cena, Políticas Públicas e Economias

    Manoel Silvestre Friques, Marcio Pizarro Noronha, Flavia Pilla do Valle
    01 -11
    DOI: https://doi.org/10.22456/2236-3254.131595

Artigos

  • Musical theatre routes – West End, Broadway and the Brazil of Lei Rouanet

    Gustavo Guenzburger, Bernardo Fonseca Machado
    01 -12
    DOI: https://doi.org/10.22456/2236-3254.129060

  • 70 years of the Frente de Trabalhadores da Cultura de Nuestra America: experience of organizing cultural workers and the link with the contemporary Network of Popular Political Theater and Video Schools Nuestra América

    Simone Menezes da Rosa, Rafael Litvin Villas Bôas
    01 - 10
    DOI: https://doi.org/10.22456/2236-3254.129131

  • The Limits of the Theater Promotion Law in Porto Alegre

    Michele Bicca Rolim , Clóvis Dias Massa
    01 -12
    DOI: https://doi.org/10.22456/2236-3254.129138

  • Amapá: the last cultural frontier

    Bruno Sérvulo da Silva Matos
    01 -12
    DOI: https://doi.org/10.22456/2236-3254.129329

  • Far away from capitals: assessment criteria for cultural projects in public cultural policies

    Leandro Maia
    01 - 15
    DOI: https://doi.org/10.22456/2236-3254.129407

  • Cultural Policy in the Municipality of Rio de Janeiro: a budget analysis (2008-2020)

    Manoel Silvestre Friques, Roberta Oliveira Gonçalves
    01 - 16
    DOI: https://doi.org/10.22456/2236-3254.129834

  • The role of FITU (Unirio Integrated Theater Festival) in the formation of new outlets for the field of theatrical production

    Ana Karenina Riehl, Rosyane Trotta
    01 - 08
    DOI: https://doi.org/10.22456/2236-3254.129393

Entrevistas

Artigos Extradossiê

  • Carmelo Bene and the Italian Cultural Institutions

    Carlo Alberto Petruzzi, Silvia Balestreri Nunes
    01 - 10
    DOI: https://doi.org/10.22456/2236-3254.130345

  • The interculturality in the works of the Teatro da Travessia: the culture as performance

    Francisco Wagner Bezerra Rodrigues
    01-09
    DOI: https://doi.org/10.22456/2236-3254.129656

  • Is drama an arts class? Distribution of the languages of the arts component in Municipal Schools in the city of Pelotas/RS

    Helcio Fernandes Barbosa Junior Junior
    01 - 12
    DOI: https://doi.org/10.22456/2236-3254.128341