No. 36 (2022): Ói Nóis Aqui Traveiz e outras vivências

View No. 36 (2022): Ói Nóis Aqui Traveiz e outras vivências
Na imagem, cena de Poemas em Pausa (2006), experimento de O Passar em Branco, com texto de Alecsandro Dall’Olmo, provocação de Daggi Dornelles e alunos do DAD – UFRGS. Integra a tese de doutorado O Passar em Branco e as flores urbanas: encontros com o corpo, a poética visível e invisível na dança contemporânea da bailarina Daggi Dornelles, de Alecsandro Dall’Olmo, defendida em 2020 no Programa de Pós-Graduação em Artes Cênicas da UFRGS, com orientação do profa. Dra. Silvia Balestreri Nunes.

Foto: Frank Jeske.
Published: 2022-03-19

Full Issue

Editorial

  • Dossiê Ói Nois Aqui Traveiz and Other Experiences

    Flavia Pilla do Valle, Clovis Dias Massa
    01-04
    DOI: https://doi.org/10.22456/2236-3254.122965

Artigos

  • Poetics of Sharing: knowledge and flavors

    Narciso Telles, Rosyane Trotta
    01-09
    DOI: https://doi.org/10.22456/2236-3254.122172

  • Territories, Democratization and Theatrical Práxis

    Maria Amélia Gimmler Neto, Débora Landin, Gilmário de Souza
    10-18
    DOI: https://doi.org/10.22456/2236-3254.120752

  • Theatricality and Spectacularity at the Feast Of Nazareth, In Belém do Pará

    Ivone Maria Xavier de Amorim Almeida
    19-32
    DOI: https://doi.org/10.22456/2236-3254.121449

  • Performer in the Creation of House of Fear: the vulnerability of presence and bodies

    Daniela Aquino Camargo, Marta Isaacsson Souza e Silva
    33-46
    DOI: https://doi.org/10.22456/2236-3254.119866

  • The Artist as the Bearer of the Shadow: the look turned to the experience with the Theater of Shadows

    Bethielle Amaral Kupstaitis
    47-53
    DOI: https://doi.org/10.22456/2236-3254.120902

  • Rehearsing in Isolation: proposals for synchronous and asynchronous activities for pandemic theater

    Lisandro Bellotto Bellotto
    54-64
    DOI: https://doi.org/10.22456/2236-3254.119660

Entrevistas