No. 33 (2021): Dossiê Arte e Trauma

Editorial

• ARTE E TRAUMA

  Andréa Moraes, Clóvis Dias Massa

  1-3

  • PDF (Português (Brasil))

  DOI: https://doi.org/10.22456/2236-3254.113209

• ART AND TRAUMA

  Andréa Moraes, Clóvis Dias Massa

  4-6

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  DOI: https://doi.org/10.22456/2236-3254.113210

• Expediente

  7

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  DOI: https://doi.org/10.22456/2236-3254.113208

Artigos

• THE SHOCK OF THE RISKY(QUÉ) FEMALE: FEMININITY AND THE TRAUMA OF THE GREAT WAR ERA IN THE DANCING OF MAUD ALLAN AND ANNA PAVLOVA

  Victoria Thoms

  8-22

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  DOI: https://doi.org/10.22456/2236-3254.111593

• O CHOQUE DA MULHER RISKY(QUÉ ): A FEMINILIDADE E O TRAUMA NA ERA DA PRIMEIRA GUERRA MUNDIAL NA DANÇA DE MAUD ALLAN E ANNA PAVLOVA

  Victoria Thoms

  23-38

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  DOI: https://doi.org/10.22456/2236-3254.110759

• APPROCHE ARTISTIQUE DU TRAUMATISME DE GUERRE DANS LE THÉÂTRE POLONAIS DANS LA DEUXIÈME MOITIÉ DU XXe SIÈCLE À L’EXEMPLE D’ACROPOLIS DU THÉÂTRE LABORATOIRE DE 13 RANGS AVEC LA MISE EN SCÈNE DE JERZY GROTOWSKI

  Juliusz Tyszka

  39-47

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  DOI: https://doi.org/10.22456/2236-3254.111588

• ARTISTIC APPROACH TO WAR TRAUMA AT THE POLISH THEATER IN THE SECOND HALF OF THE TWENTIETH CENTURY: THE EXAMPLE OF THE AKRÓPOLIS SHOW OF THE LABORATORY THEATER OF THE 13 ROWS STAGED BY JERZY GROTOWSKI

  Juliusz Tyszka, Trad. de Ana Cristine Wegner

  48-56

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  DOI: https://doi.org/10.22456/2236-3254.111589

• THE BODY AS AUTOBIOGRAPHIC SPEECH

  Vinicius Torres Machado, Giovanna Galisi Paiva

  57-63

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  DOI: https://doi.org/10.22456/2236-3254.109485

• THE REPORT OF THE REAL TRAUMATIC WAR IN CAMPO MINADO, BY LOLA ARIAS: SILENCES, PAUSES AND THE REFUSAL TO REPRESENT TORTURE

  Giorgio Zimann Gislon

  64-73

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  DOI: https://doi.org/10.22456/2236-3254.104249

• BETWEEN TRAUMA AND PERFORMANCE: STRATEGIES TO BREAK THE PAST OF VIOLENCE AND COLLECTIVIZE MEMORY

  Marta Haas, Gilberto Icle

  74-85

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  DOI: https://doi.org/10.22456/2236-3254.108660

• TRAUMA AND SCAR IN THE WRITING OF THE ODISSEIA 116

  Cleilson Queiroz Lopes

  86-98

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  DOI: https://doi.org/10.22456/2236-3254.105692

• EL NINO: CREATION DEVICES IN PANDEMIC TIMES

  William Axel da Silva Moreira, Fernando Lira Ximenes

  99-104

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  DOI: https://doi.org/10.22456/2236-3254.107488

• CELAS E ELAS – DISASSEMBLY SCENES AND BUILDING STANDPOINTS OF SPEECH AND LISTENING IN FEMINIST THEATER

  Daiane Dordete Steckert Jacobs

  105-117

  • PDF (Português (Brasil))

  DOI: https://doi.org/10.22456/2236-3254.109073

Ensaios

• LIVE LABORATORY: THE THEATER EXPERIENCE IN A GROUP, FAN AL-HAYAT WORKSHOP [THE ART OF LIFE]

  Samir Reyad-Mamdoh

  118-123

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  DOI: https://doi.org/10.22456/2236-3254.111585

• LIVE LABORATORY: THE THEATER EXPERIENCE IN A GROUP, FAN AL-HAYAT WORKSHOP [THE ART OF LIFE]

  Samir Reyad-Mamdoh, Trad. de Clóvis D. Massa

  124-129

  • PDF (Français (France))

  DOI: https://doi.org/10.22456/2236-3254.111586

Conexões

• NON-STILL LIFE: A MOSAIC PORTRAIT OF DIMITRIS PAPAIOANNOU

  Aikaterini Delikonstantinidou, Ísis Arrais Padilha, Sayonara Pereira

  130-143

  • PDF (Português (Brasil))

  DOI: https://doi.org/10.22456/2236-3254.105220

Artigos Extradossiê

• SEEING THE BELLY DANCE AS A FEMINIST POSSIBILITY: GAZE, GENDER AND PUBLIC SPACE IN ISTANBUL

  Isil Egrikavuk

  144-154

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  DOI: https://doi.org/10.22456/2236-3254.110694

• OLHANDO PARA A DANÇA DO VENTRE COMO UMA POSSIBILIDADE FEMINISTA: OLHAR, GÊNERO E ESPAÇO PÚBLICO EM ISTAMBUL

  Isil Egrikavuk, Trad. de Márcia Donadel

  155-166

  • PDF (Português (Brasil))

  DOI: https://doi.org/10.22456/2236-3254.110675

• POOR DANCE: RE-THINKING MODERN DANCE BIRTH IN THE UNITED STATES.

  Sarahí Lay Trigo

  167-176

  • PDF (Português (Brasil))

  DOI: https://doi.org/10.22456/2236-3254.104344

• POPULAR ARTISTS FROM THE SQUARE OF FERREIRA: RESISTANCE IN FRONT OF THE BRAZILIAN LITTLE BOY - FORTALEZA / CE

  Mariana Elâni Santos de Oliveira, Maria de Lourdes Macena de Souza, Luiza Jovina Barbosa Girão

  177-187

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  DOI: https://doi.org/10.22456/2236-3254.107937