Memórias da Europa na arte de outros lugares

Autores

  • Andreas Huyssen Columbia University in the City of New York, Nova Iorque – EUA

DOI:

https://doi.org/10.22456/2179-8001.98256

Palavras-chave:

Arte contemporânea, políticas da memória, histórias de violência colonial e póscolonial

Resumo

As artes contemporâneas contêm e nutrem as vidas sociais da memória Europeia, tanto dentro quanto fora da Europa. Mas a memória Europeia não pode ser fortalecida. Deve incluir memórias da Europa, uma vez que estas circulam em outras partes do mundo. A palestra se concentrará em três artistas contemporâneos (Doris Salcedo, William Kentridge e Vivan Sundaram), cujo trabalho envolve memórias de violência política em formas estéticas imaginativamente apropriadas e transformadas a partir dos legados do modernismo Europeu e transatlântico.

Abstract
The contemporary arts contain and nurture the social lives of European memory, both in Europe and abroad. But European memory cannot be fortressed. It must include memories of Europe as they circulate elsewhere in the world. The lecture will focus on three contemporary artists (Doris Salcedo, William Kentridge, and Vivan Sundaram) whose work engages with memories of political violence in aesthetic forms imaginatively appropriated and transformed from the legacies of European and Transatlantic modernism.

Downloads

Não há dados estatísticos.

Biografia do Autor

Andreas Huyssen, Columbia University in the City of New York, Nova Iorque – EUA

Andreas Huyssen is the Villard Professor Emeritus of German and Comparative Literature at Columbia University in New York. A founding editor of New German Critique and founding director of Columbia’s Institute for Comparative Literature and Society. His books include After the Great Divide: Modernism, Mass Culture, Postmodernism (1986), Twilight Memories: Marking Time in a Culture of Amnesia (1995), Present Pasts: Urban Palimpsests and the Politics of Memory (2003), the edited volume Other Cities, Other Worlds: Urban Imaginaries in a Globalizing World (2008), William Kentridge and Nalini Malani: The Shadowplay as Medium of Memory (2013) and Miniature Metropolis: Literature in an Age of Photography and Film (2015). Much of his work has been translated into Portuguese: Memorias do Modernismo (Editora UFRGS, 1997); Seduzidos pela Memoria (Aeroplano 2000); Culturas do pasado-presente: modernismos, artes visuais, politicas da memória (Contraponto 2014).  

Referências

Kentridge. William. The Refusal of Time.Paris: Éditions Xavier Barral, 2012

Rebentisch, Juliane. Aesthetics of Installation Art. Berlim: Sternberg Press, 2012

Arquivos adicionais

Publicado

2019-12-01

Como Citar

Huyssen, A. (2019). Memórias da Europa na arte de outros lugares. PORTO ARTE: Revista De Artes Visuais (Qualis A2), 24(42). https://doi.org/10.22456/2179-8001.98256