Nan Goldin’s the Ballad of Sexual Dependency

Autori

DOI:

https://doi.org/10.22456/2179-8001.80809

Parole chiave:

Nan Goldin. Exhibition. Contemporary art. Photography. Public.

Abstract

This review focuses on American artist Nan Goldin’s exhibition The Ballad of Sexual Dependency, held at MoMA – The Museum of Modern Art in New York – in 2016-2017, 30 years after her first exhibition in 1986. The slideshow is a highlight with about 700 photographs produced by the artist between the 1970s and 1990s, which show the nature of the social group to which she belonged.

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Biografia autore

Silvana Boone

Silvana Boone holds a PhD in Visual Arts/History, Theory and Criti//cism from PPGAV-UFRGS, a Master’s Degree in Communication and Semiotics from PUCSP; she is a specialist in Visual Arts from UCS and graduated in Art Education from UCS. She has been a professor at the University of Caxias do Sul since 1995, where she works as a researcher, curator and art critic.

Riferimenti bibliografici

COSTA, Guido. Nan Goldin. First Edition in Spanish. New York: Phaidon, 2010.

COTTON, Charlotte. A Fotografia como Arte Contemporânea. 2nd edition. São Paulo: Editora WMF Martins Fontes, 2013. – (Arte&Fotografia)

GOLDIN, Nan. The Ballad of Sexual Dependency. 2nd edition. New York: Aperture, 2012.

PERL, Jed. New Art City: Nova York, capital da arte moderna. Translation by Vera Pereira, Pedro Maia Soares. São Paulo: Companhia das letras, 2008.

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Pubblicato

2017-02-10

Come citare

Boone, S. (2017). Nan Goldin’s the Ballad of Sexual Dependency. PORTO ARTE: Revista De Artes Visuais, 23(38). https://doi.org/10.22456/2179-8001.80809

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