Shared territory: crossroads of languages, space for reflection

Authors

DOI:

https://doi.org/10.22456/2179-8001.73727

Keywords:

Painting. Photography. Film. Self-reference. Representation.

Abstract

Contemporary painters like Mark Tansey and Michaël Borremans include photography and film in their artistic practices, reflecting, in shared territory and in a self-referential style, the undeniable technological mediation in which we see ourselves submerged. This article aims to analyze, inside this crossroads of languages, how a space for reflection is established.

Downloads

Download data is not yet available.

Author Biography

Marilice Corona, Professora do Programa de Pós-Graduação em Artes Visuais da Universidade Federal do Rio Grande do Sul. [PPGAV - IA - UFRGS]

Artist graduated in Painting (1988) and Drawing (1990) by the Arts Institute of the Federal University of Rio Grande do Sul (UFRGS), with a master’s degree (2002) and PhD (2009) in Visual Poetics at Graduate Program in Visual Arts (PPGAV)/ UFRGS. Professor of the Department of Visual Arts (DAV) and of the Graduate Program in Visual Arts (PPGAV), UFRGS. Devoting herself mainly to the language of painting, she held several solo exhibitions and group exhibitions in her home country and abroad. Since 2010, she is part of the editorial board of the journals Estúdio, Gama and Croma, published by FBAUL, Faculty of Fine Arts of Lisbon, Portugal; in 2015 she became part of the editorial committee of the Porto Arte journal, PPGAV/UFRGS

References

BORREMANS, Michaël. “Interview: Michaël Borremans by David Cooggins (03/01/2009)” in Art in America. Acesso: http://www.artinamericamagazine.com/features/michael-borremans/ , 2011.

A knife in the eye. Acesso https://www.youtube.com/watch?v=dhhUmwmlMtc, 2016.

DANTO, Arthur e TANSEY, Mark . Tansey: visions and revisions, Nova York: Harry N. Abrams, 1992.

MÖNIG, Roland . “The picture looking back” in Mark Tansey. German: Kerber Verlag, 2005.

ROGIERS, Patrick. “Avant-propos” in: L’ère du double: actes du colloque sur la gemellit. Marval, 1998, pp7-9.

TAYLOR, Marc C. The Picture in question: Mark Tansey & the ends of representation.

Chicago: The University of Chicago Press, 1999.

SARDO, Delfim. Michaël Borremans: Weight. Germany:Hatje Cantz, 2007.

SIMS, Patterson. Art and source. Seatle: Seatle Art Museum, 1990.

VOUILLOUX, Bernard. Le tableau vivant: Phryné, l’orateur et le peintre. Paris: Flammarion, 2002.

Additional Files

Published

2017-08-09

How to Cite

Corona, M. (2017). Shared territory: crossroads of languages, space for reflection. PORTO ARTE: Revista De Artes Visuais, 21(35). https://doi.org/10.22456/2179-8001.73727

Issue

Vol. 21 No. 35 (2016): DOSSIÊ: TRANSBORDAMENTOS ENTRE FOTOGRAFIA E ARTE

Section

Versão | Version

License

Autores que publicam nesta revista concordam com os seguintes termos:

Autores mantêm os direitos autorais e concedem à revista o direito de primeira publicação, com o trabalho licenciado sob a Creative Commons Atribuição-NãoComercial-CompartilhaIgual 4.0 Internacional (CC BY-NC-SA 4.0).

Autores têm autorização para assumir contratos adicionais separadamente, para distribuição não exclusiva da versão do trabalho publicada nesta revista, como publicar em repositório institucional, com reconhecimento de autoria e publicação inicial nesta revista, quando for o caso.

Os artigos são de acesso aberto e uso gratuito, com atribuições próprias em atividades educacionais, de pesquisa e não comerciais. 

 

Similar Articles

1 2 3 4 5 6 7 8 9 10 11 > >> 

You may also start an advanced similarity search for this article.