“Destruction of the Destructive Art” and Constitution of the Subject

Abstract

This article discusses, from a newspaper notice about an event in a London museum, the theme of identity, so dear to the human sciences in general and psychology in particular. He discusses, from theoretical benchmarks of LS Vygotsky and M.Bakhtin / V.Volochínov, the condition inexorably dialogic of art, artists and arts reader, which characterizes the syncretism and the relational condition of the subjectivity production.