A SIMPÁTICA HISTÓRIA DE MELIM-MELOSO: A REINVENÇÃO DE MALAZARTE

Auteurs-es

  • Alessandra Bittencourt Flach UFRGS

DOI :

https://doi.org/10.22456/2238-8915.36165

Résumé

In Tutaméia, Guimarães Rosa makes a synthesis of what characterizes better his work as a
whole: he explores the universe of types like the cowboy, the jagunço, the sinhá, the ordinary man from
the sertão who has a lot to say, whether through his experiences narration, or through his particular
worldview. To achieve that, the author makes use of a linguistic technique very peculiar to him. One of
the 40 narratives presented in the book, “Melim-Meloso”, is about the transcendence of this simple
quotidian to a level of personal sublimation from the adventures of a wily type, following the model of
the heroes from traditional oral short stories. The dialogue between Guimarães’s character and Pedro
Malazarte from the folk stories, more than a rescue of an ancestral theme, is a proof of how erudite
culture has appropriated and reinvented the popular universe.

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Biographie de l'auteur-e

Alessandra Bittencourt Flach, UFRGS

Mestranda em Literatura Brasileira pelo Programa de Pós-Graduação do Instituto de Letras da Universidade Federal do Rio Grande
do Sul (UFRGS).

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Publié-e

2007-12-04

Comment citer

FLACH, Alessandra Bittencourt. A SIMPÁTICA HISTÓRIA DE MELIM-MELOSO: A REINVENÇÃO DE MALAZARTE. Organon, Porto Alegre, v. 21, n. 42, 2007. DOI: 10.22456/2238-8915.36165. Disponível em: https://seer.ufrgs.br/index.php/organon/article/view/36165. Acesso em: 13 août. 2026.