This research intends to demonstrate the pessimistic perspective regarding technological and scientific progress in the trilogy The Hunger Games, by Suzanne Collins. We start from the analysis of some elements in Frankenstein, by Mary Shelley, one of the first science-fiction novels. We are grounded on theoretical writings of authors that shared the same pessimistic point of view. Furthermore, this article investigates the faces of monstrosity in the trilogy The Hunger Games, and takes into account, albeit to a lesser extent, the contrast with the creature created by Victor Frankenstein. Our objective, despite the focus on Collins’ trilogy, is to show how these narratives, written with an interval of almost two hundred years, converge into the same questioning about the future.
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