NOS BASTIDORES DA PALAVRA

Resumo

The present article is the result of a compilation of ideas which were extendedly developed
in the mandatory final paper for UFRGS to obtain the qualification of undergraduate teacher in languages
and literature. The subject are the narratives (tales) that come from the Brazilian oral tradition and which
are crystalised by writing. Such narratives are intended to be affiliated to the family of dramatic texts
(through comparisons with some theatrical expressions as the Commedia dell’Arte), taking them out of
the field of comparison with narrative texts, fact which has always reinforced the idea of lower aesthetic
value of this kind of literary manifestation. Through this new theoretical perspective we try to
demonstrate how the tales that come from the oral tradition are embedded with some theatrical
characteristics, which arouse only in the contexts in which the tales are fully successful, i. e. performatic
contexts. In this sense, we defend the idea that such tales, when written, are formally close to theatrical
texts.