No. 22 (2017)

• EXPEDIENTE

  1-2

  • PDF (Português (Brasil))

Artigos

• READING GESTURE: A TOOL FOR RESEARCH IN DANCE

  Christine Roquet

  3-14

  • PDF (Français (France))

• READING GESTURE: A TOOL FOR RESEARCH IN DANCE

  Christine Roquet

  15-27

  • PDF (Português (Brasil))

• THE ACHIEVEMENT OF SPACE, VARIATION ABOUT AN ART OF MEETING: THE BAROQUE GESTURE

  Yannick Butel

  28-51

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• THE ACHIEVEMENT OF SPACE, VARIATION ABOUT AN ART OF MEETING: THE BAROQUE GESTURE

  Yannick Butel

  52-74

  • PDF (Português (Brasil))

• THE GRAPHIES OF GESTURE IN DANCE: SPARSE NOTES

  Marcilio Souza Vieira

  75-86

  • PDF (Português (Brasil))

• REFLEXIONS ABOUT THE LABANOTATION

  Marcus Vinícius Machado de Almeida

  87-100

  • PDF (Português (Brasil))

• WRITTEN OF YOURSELF IN THE OBSERVATION OF THE OTHER: PROCEEDINGS WITH LMA/BF¹ IN CONDUCTION AND READING OF DANCE IN PEDAGOGICAL EXPERIMENTS WITH IMPROVISATION

  Cibele Sastre

  101-115

  • PDF (Português (Brasil))

• SYSTEMIC MOVEMENT ANALYSIS TO THE APPROACH OF EXPRESSIVE GESTURE: EXPERIENCE OF TRANSLATION OF TRADITION IN CREATIVE PROCESS OF THE SARANDEIROS GROUP

  Gustavo Pereira Côrtes

  116-127

  • PDF (Português (Brasil))

• SYMBOLIC DISSECTION OF THE BODY: THE ANATOMIC STUDIES OF FRANÇOIS DELSARTE AND THEIR REPRODUCTIONS IN THE PERCEPTION OF MOVEMENT, FROM A RECORD ON MODERN AMERICAN DANCE

  Robson Lourenço, Julia Ziviani Vitiello

  128-141

  • PDF (Português (Brasil))

• THE USE OF DAILY MANAGEMENT AND SOME OF THEIR DEVELOPMENTS IN PINA BAUSCH'S KONTAKTHOF (1978) SPECTACULAR FOR TANZTHEATER WUPPERTAL

  Marina Milito de Medeiros, Sayonara Pereira

  142-157

  • PDF (Português (Brasil))

• EXPERIENCE AND NARRATION: REFLECTIONS FROM THE DOCUMENTARY OF DANCE THEATER "DANCING DREAMS"

  Jeferson de Oliveira Cabral, Vera Lúcia Bertoni dos Santos

  158-165

  • PDF (Português (Brasil))

• MOVEMENT DESIGN IN CREATION PROCESS

  Mônica Medeiros Ribeiro

  166-176

  • PDF (Português (Brasil))

• CONSIDERATIONS ABOUT A MUSICAL BODY

  Barbara Biscaro

  177-184

  • PDF (Português (Brasil))

• AT THE BODY OF (CON)TEXT: OF DAILY TIME, SPECTACULAR TIME

  Thiago Silva de Amorim Jesus, Josiane Gisela Franken Corrêa

  185-196

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• STUDY OF GESTURE ON DANCE OF POPULAR CULTURE UNDER A SYSTEMIC PERSPECTIVE

  Laura Bauermann, Jair Felipe Bonatto Umann

  197-207

  • PDF (Português (Brasil))

• A POETRY OF GESTURE OR MEMORIES OF A BODY-WITNESS

  Stenio José Paulino Soares

  208-222

  • PDF (Português (Brasil))

• TERPSÍ AND RUBENS BARBOT: TRACKS OF THEATER DANCE IN PORTO ALEGRE IN THE 1980S

  Newton Pinto da Silva

  223-235

  • PDF (Português (Brasil))

• READING GESTURE IN FORMATION THE CONTEMPORARY DANCE ARTIST: THE SINGULAR IN THE STUDIES OF SYSTEMATIC TECHNIQUES AND COMPOSITIVE DANCING EXPERIENCES

  Rosa Ana Fernandes de Lima

  236-243

  • PDF (Português (Brasil))

Entrevistas

• THINKING GESTURE DANCE - INTERVIEW WITH CHRISTINE ROQUET

  Guilherme Hinz

  244-258

  • PDF (Français (France))

• THINKING GESTURE DANCE - INTERVIEW WITH CHRISTINE ROQUET

  Guilherme Hinz

  259-273

  • PDF (Português (Brasil))

• THE MASK AS A FORMATION TOOL: INTERVIEW WITH TICHE VIANNA

  Clóvis Dias Massa, Fábio Cuelli

  274-278

  • PDF (Português (Brasil))

Artigos Extradossiê

• "OI NOS" AND "COMPANHIA DO LATÃO": MEMORY, CONVINCE AND RESISTANCE IN THE EXPERIENCE OF BRAZILIAN THEATER GROUPS

  Carlos Eduardo Silva

  279-294

  • PDF (Português (Brasil))

• ABOUT TABOOS IN THE CHILD THEATER: ISSUES FROM “THE MESSENGER OF THE KING”

  Lucas Larcher

  295-306

  • PDF (Português (Brasil))

• INCOMPLETUDE IN FRAGMENTARY CREATION OF SPETACLE "PLEASURE" OF LUNA LUNERA'S COMPANY IN RELATION TO CLARICE LISPECTOR

  Danilo França do Nascimento

  307-316

  • PDF (Português (Brasil))

Ensaios

• WHEN WALK BECOMES A DANCE

  Sandra R. O. Santana

  317-323

  • PDF (Português (Brasil))

• THE STUDY OF GESTURE AT THE CROSSROADS OF PRACTICES AND CONCEPTS: REFLECTION ON THE MEETINGS OF FRENCH-BRAZILIAN RESEARCHERS AT COLLOQUIUM ABOUT ART OF GESTURE

  Suzi Weber, Mônica Fagundes Dantas

  324-338

  • PDF (Português (Brasil))