No. 16 (2014)

View No. 16 (2014)
Published: 2015-04-21

Editorial

  • Editorial

    Revista Cena PPGAC
    DOI: https://doi.org/10.22456/2236-3254.54994

  • EXPEDIENTE

    DOI: https://doi.org/10.22456/2236-3254.54995

Artigos

  • IF THE VERB BECAME MEAT: FOR A PERFORMATIVITY OF THE WORD IN THE BRAZILIAN CONTEMPORARY THEATRE

    Nina Caetano, Phelippe Celestino
    DOI: https://doi.org/10.22456/2236-3254.52013

  • COMPOSITIONAL PROCESS OF THE POETIC VOICE IN FLOR DAS ÁGUAS DANCE THEATRE

    Janaina Trasel Martins
    DOI: https://doi.org/10.22456/2236-3254.52171

  • THE SOUND DESIGN IN “THE BLINDS” OF DENIS MARLEAU

    Maíra Castilhos Coelho
    DOI: https://doi.org/10.22456/2236-3254.53656

  • TRASCRIATIONING SHAKESPEARE: WORD AND/IN DANCE

    Ines Saber de Mello, Luci Collin, Nalu Rocha
    DOI: https://doi.org/10.22456/2236-3254.52003

  • WIHT THE WORD, THE AUTHOR: THE RELEVANCE OF SEMIOLOGICAL COMPONENT IN THE ENUNCIATION TETRICAL PLAY

    Paulo Ricardo Berton
    DOI: https://doi.org/10.22456/2236-3254.52015

  • SPECTACLE PROGRAMS: THEATRICAL CULTURE’S OBJECT AND PRACTICE

    Walter Lima Torres Neto
    DOI: https://doi.org/10.22456/2236-3254.53659

Entrevistas

  • ENTERVEW WITH MARLENE GOIDANICH

    Claudia Muller Sachs
    DOI: https://doi.org/10.22456/2236-3254.54136

Conexões

  • NOTES ON THE VOICE, MEREDITH MONK

    Meredith Monk, Conrado Falbo Falbo
    DOI: https://doi.org/10.22456/2236-3254.54072

  • PENSAR LA VOZ – UNA PERSPECTIVA ACTORAL

    Ingrid Pelicori
    DOI: https://doi.org/10.22456/2236-3254.54991

Ensaios

  • THE WORD AND ENIGMA OF THE RESPONSES

    Lúcia Fernandes Fernandes Lobato
    DOI: https://doi.org/10.22456/2236-3254.51153