The phoenix with a thousand faces: The Reinassance in the ocidental historiography

Authors

  • Maria Renata da Cruz Duran Universidade Estadual de Londrina
  • Claudia Regina Bovo Universidade Federal do Triângulo Mineiro

DOI:

https://doi.org/10.22456/1983-201X.138284

Keywords:

Historiography Culture, History of Concepts

Abstract

Renaissance was forged as a fundamental historical concept for the Modern Age understanding, however, as we approach a panorama of the controversies related to its historiographic study, we can notice that its amplitude extends from the 13th to the 16th centuries, as well as encompassing the West without the precedence of a supposed Italian centrality. Our aim, then, is to debate the arguments with which contemporary historians have confronted or eluded the artificiality of this historical milieu, as well as, from the evocation of prior and post-Italian "rebirths", to demonstrate how the cultural experience of the Middle Ages and the sixteenth century make possible to question its sacralization.

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Author Biography

Claudia Regina Bovo, Universidade Federal do Triângulo Mineiro

Medieval History Professor at the Federal University of Triângulo Mineiro - Uberaba/MG, also serving as a Collaborating Professor in the Postgraduate Program in History at UFMG. She is a researcher at LEME/Medieval Studies Laboratory (UNICAMP/USP/UFMG/UNIFESP/UFG/UFTM/UFVMJ/UFFS/UFOP) and coordinates the Laboratory for Studies of the Ancient and Medieval Mediterranean (UFTM).

Published

2024-12-30

How to Cite

da Cruz Duran, M. R., & Bovo, C. R. (2024). The phoenix with a thousand faces: The Reinassance in the ocidental historiography. Anos 90, 31, e2024105. https://doi.org/10.22456/1983-201X.138284

Issue

Section

Comunicação e Circulação entre a Idade Média e a Modernidade: debates, reconfigurações e análises sobre uma temporalidade em crise (sécs XII-XVII)