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Dossiê Temático

v. 4, n. 1 (2022)

Virginia Woolf, John Maynard Keynes e a arte entre as guerras

DOI
https://doi.org/10.22456/2596-0911.121590
Enviado
January 15, 2022
Publicado
2022-10-05

Resumen

Em 1931, John Maynard Keynes ansiava pelas quase utópicas “Possibilidades econômicas para nossos netos”, especulando que, em um futuro pacífico e próspero, os artistas prosperariam especialmente. Mas, no final da década de 1930, a suposição otimista de Bloomsbury de que a mudança iterativa e experimental promoveria a arte e a vida boa é colocada sob crescente pressão pela ameaça do fascismo. Tanto para Keynes quanto para Virginia Woolf, o idealismo das primeiras décadas de Bloomsbury torna-se impossível de ser sustentado à sombra da Segunda Guerra Mundial. À medida que Woolf e Keynes afirmam o valor da arte no contexto da comunidade, eles desenvolvem perspectivas cada vez mais diferentes sobre o público, com implicações duradouras para o modernismo e a política de artes.

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