
This article proposes to investigate how, on the other hand, Ricardo III finds himself in Jekyll and Hyde and how Jekyll and Hyde's personalities cohabit in Ricardo III, through spaltung (cleavage - dissociation / schizophrenia), and language based on psychoanalytic concepts of Bleuler, Freud, and Lacan, investigating the conjectural relationship between Ricardo III's intertextual and gestural discourse (Shakespeare, 1593) and The Doctor and the Monster (double) doppelgänger (Stevenson, 1886).