Skip to main navigation menu Skip to main content Skip to site footer

Artigos

v. 4, n. 2 (2022)

The ephemeral artist: melancholy, allegory and the 1960s

DOI
https://doi.org/10.22456/2596-0911.127732
Submitted
October 7, 2022
Published
2023-08-14

Abstract

This article seeks to analyze how the artist, in the mid-1960s, who uses ephemerality in his artistic processes, suffers from melancholy. The aim is to make the posture of this avant-garde artist more complex and also to analyze the recording action of the work losses by the artist through the Benjaminian allegorical interpretation of these images.

References

  1. ARISTOTLE. Problems, Volume I: Books 1-19. Cambridge: Harvard University Press, 2011.
  2. BENJAMIN, Walter. Origem do drama trágico alemão. Lisboa: Assírio & Alvim, 2004.
  3. DEBORD, Guy. Sociedade do Espetáculo. Rio de Janeiro: Contraponto, 1997.
  4. DIDI-HUBERMAN, Georges. Diante do Tempo. Belo Horizonte: Editora UFMG, 2015.
  5. DIDI-HUBERMAN, Georges. Quando as imagens tocam o real. PÓS: Belo Horizonte, v. 2, n. 4, p. 204-219, 30 nov. 2012.
  6. DIDI-HUBERMAN, Georges. Sobrevivência dos vaga-lumes. Belo Horizonte: Editora UFMG, 2011.
  7. FOSTER, Hal. O retorno ao real: a vanguarda no final do século XX. São Paulo: Ubu Editora, 2017.
  8. GROYS, Boris. Arte em fluxo. Lisboa: Orfeu Negro, 2022.
  9. LYOTARD, Jean-François. A condição pós-moderna. São Paulo: José Olympio, 2021.
  10. ROSENBERG, Harold. O objeto ansioso. São Paulo: Cosac & Naify, 2004.

Downloads

Download data is not yet available.