O MODERNISMO REVISITADO PELA ARTE INDÍGENA
DENILSON BANIWA E A REANTROPOFAGIA
DOI:
https://doi.org/10.22456/2238-8915.131214Abstract
In this article, we discuss how the Brazilian artist Denilson Baniwa redefines the relationship between Brazilian modernism and indigenous cultures in his work. The article is divided into four sections. The first section examines the Eurocentric perspective of indigenous art and how non-European artifacts were historically evaluated based on binary categories that discriminated between true art and utilitarian objects without artistic value. The second section briefly presents the modernist movement in Brazil. The third section discusses the influence of modernist primitivism on several Brazilian modernists. Finally, the last section reflects on how Baniwa deconstructs modernism through his work, highlighting some of his selected works and proposing a re-antropophagy movement.
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