EL CHAMAMÉ: CONSTRUCTING MEANING TODAY IN BUENOS AIRES AND THE SUBURBS

Authors

  • Sayuri Raigoza Rivera UNSAM-IDES/IDAES

DOI:

https://doi.org/10.22456/1984-1191.15738

Keywords:

Chamamé. Identity. Music

Abstract

In federal capital and the Buenosairean conurbano, assiduously Chamameceros encounter (music and dances), well-known appear mainly with the name of “bailantas”.   The practice of the Chamamé mainly has an attendance - of originating- public of different provinces from the Argentine northeast (Corrientes, Entre Ríos and Misiones), as well as of Santa Fe, Santiago of Estero and Chaco.  The approach of this article is in describing and trying to include/understand, the meaning attributed to the chamamecera practice (music and dances). It is reflected around the sense that certain actors grant to him to the sort, with a complex relation that mainly focuses in the identitarias tensions, of taste and style of life.

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Published

2010-08-15

How to Cite

RIVERA, Sayuri Raigoza. EL CHAMAMÉ: CONSTRUCTING MEANING TODAY IN BUENOS AIRES AND THE SUBURBS. ILUMINURAS, Porto Alegre, v. 11, n. 25, 2010. DOI: 10.22456/1984-1191.15738. Disponível em: https://seer.ufrgs.br/index.php/iluminuras/article/view/15738. Acesso em: 31 aug. 2026.