CABAÇA, CABEÇA, CABAÇA — Paths and temporality during the pandemic — confinement and displacement

Authors

Keywords:

Gourd, Candomblé, Confinement, Visual Anthropology, Creative Process

Abstract

This photochronographic essay focuses on works and texts that integrate the artistic and research process entitled Cabaça Cabeça Cabaça, was produced during the weekly virtual meetings of the research group Navisual / PPGAS / UFRGS, during the COVID 19 pandemic. I dialogue with the flow of moving images, their rhythms in intensification and changes in confinement following the path of Cabaça, mobilizing matters through the symbolic web of non-objects inscribed in the candomblé scene.

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Author Biography

Nicole Elis Porto

Graduanda no curso de Artes Licenciatura na UFPR Litoral.

References

(1) VERGER, Pierre Fatumbi. Lendas Africanas dos Orixás. Ilustrações de CARYBÉ. 4ª. ed. Salvador: Corrupio, 1997.

(2) INGOLD, T. 2012. Trazendo as coisas de volta à vida: emaranhados criativos num mundo de materiais. Horizontes Antropológicos, ano 18, n. 37, p. 25-44.

(3) ALMEIDA, Silvio Luiz de. O que é racismo estrutural? Belo Horizonte: Letramento, 2018.

(4) NOGUEIRA, Sidnei. Epistemologia e afrossentidos dos 16 Odu principais por meio do jogo de búzios nas cttro, 2012, Instituto Ilê Ará. [Aula 1] Èÿù: Obá Oritá Mëta – [Odù Ôkànrán Méjì] [...]. São Paulo: [s. n.], 2012.

Published

2020-11-16

How to Cite

Elis Porto, N. (2020). CABAÇA, CABEÇA, CABAÇA — Paths and temporality during the pandemic — confinement and displacement. Fotocronografias, 6(14), 142–155. Retrieved from https://seer.ufrgs.br/index.php/fotocronografias/article/view/128430