No. 29 (2019): Dossiê Dramaturgia(s), Dramaturgismo em Tempos Pós-dramáticos

View No. 29 (2019): Dossiê Dramaturgia(s), Dramaturgismo em Tempos Pós-dramáticos
Published: 2019-12-04

Editorial

  • Dramaturgia(s), Dramaturgismos em Tempos Pós-Dramáticos

    Clóvis Dias Massa
    1-2
    DOI: https://doi.org/10.22456/2236-3254.98303

  • Expediente

    3
    DOI: https://doi.org/10.22456/2236-3254.98302

Artigos

  • DRAMATURGY IN "POST-DRAMATIC" TIMES

    Joseph Danan
    4-13
    DOI: https://doi.org/10.22456/2236-3254.98144

  • DRAMATURGY IN "POST-DRAMATIC" TIMES

    Joseph Danan, Trad. de Clóvis D. Massa
    14-23
    DOI: https://doi.org/10.22456/2236-3254.98145

  • EXAMPLE OF A PROSPECTIVE AND DOCUMENTARY DRAMATURGY FOR ÇA IRA (1) FIN DE LOUIS, BY JOËL POMMERAT

    Marion Boudier
    24-32
    DOI: https://doi.org/10.22456/2236-3254.97625

  • EXAMPLE OF A PROSPECTIVE AND DOCUMENTARY DRAMATURGY FOR ÇA IRA (1) FIN DE LOUIS, BY JOËL POMMERAT

    Marion Boudier, Trad. de Clóvis D. Massa
    33-41
    DOI: https://doi.org/10.22456/2236-3254.97629

  • ON DANCE DRAMATURGY

    Guy Cools
    42-52
    DOI: https://doi.org/10.22456/2236-3254.97633

  • ON DANCE DRAMATURGY

    Guy Cools
    53-63
    DOI: https://doi.org/10.22456/2236-3254.97634

  • DRAMATURGICAL COMPOSITION: SCENIC CREATION PRACTICES

    Patricia Fagundes
    64-77
    DOI: https://doi.org/10.22456/2236-3254.93788

  • "THERE'S NO ONE": CONTEMPORARY VIOLENCE AND PLACES OF SPEAKING IN THE PERFORMANCE SCENE

    Mateus Junior Fazzioni, Marcia Berselli, Diego de Medeiros Pereira
    78-89
    DOI: https://doi.org/10.22456/2236-3254.92684

  • O SITE-SPECIFIC COMO DRAMATURGIA DO ESPETÁCULO

    José Jackson Silva
    90-99
    DOI: https://doi.org/10.22456/2236-3254.92726

  • DANCE DRAMATURGY: MANIPULATING ENERGY IN THE PROCESS

    Melina Scialom, Veronica Fabrini Machado de Almeida
    100-112
    DOI: https://doi.org/10.22456/2236-3254.92755

  • DRAMATURGIAS DEL PERSONAJE CONTEMPORANEO: FRAGMENTACIÓN, MONTAJE Y COLLAGE

    Maria de Souza
    113-124
    DOI: https://doi.org/10.22456/2236-3254.92188

Artigos Extradossiê

  • DANCE IS ALSO GOOD TO SELL: USES OF DANCE REPRESENTATIONS IN THE “BOTICÁRIO IN DANCE” PROGRAM

    Rafael Guarato, Irislene Silva de Oliveira
    125-134
    DOI: https://doi.org/10.22456/2236-3254.92679

Conexões

  • ROBERT WILSON: A WORKSHOP METHOD

    Maria Shevtsova , Trad. de Marcia Berselli, Trad. de Fernanda Abegg
    135-142
    DOI: https://doi.org/10.22456/2236-3254.83117

Entrevistas

  • DO WE REALLY KNOW HOW IT HAPPENED ?: INTERVIEW WITH LOLA ARIAS¹

    Giorgio Zimann Gislon
    143-150
    DOI: https://doi.org/10.22456/2236-3254.95894