No. 18 (2015)

View No. 18 (2015)
Published: 2016-02-09

Editorial

  • Editorial

    Revista Cena PPGAC
    DOI: https://doi.org/10.22456/2236-3254.62046

  • Expediente

    DOI: https://doi.org/10.22456/2236-3254.61925

Artigos

  • ALMADA NEGREIROS AND SENCIONALIST THEATER: REFLETIONS ON PIECES “ANTES DE COMEÇAR” AND “O PÚBLICO EM CENA” OF ALMADA NEGREIROS

    Jairo Nogueira Luna
    DOI: https://doi.org/10.22456/2236-3254.52004

  • CHOREOGRAPHING THE SPECTATOR’S BODY: APPROACHES BETWEEN NEURO-ESTHETICS AND DANCE

    Helena Thofehrn Lessa, Thiago Silva de Amorim Jesus, Josiane Franken Corrêa
    DOI: https://doi.org/10.22456/2236-3254.58771

  • PRINCIPLES FOR A COLLABORATIVE PROCESS

    Rafael Ary
    DOI: https://doi.org/10.22456/2236-3254.60785

  • CRIATION PROCESS OF CHOREOGRAPHIC WORK JEZEBEL

    Priscila Ramos Gagliardi, Christiane Gracia Macedo, Aline Nogueira Haas
    DOI: https://doi.org/10.22456/2236-3254.55893

  • QUESTIONS FOR A DADÁ THEATER

    Manoela Wilhelms Wolff, Camila Bauer Brönstrup
    DOI: https://doi.org/10.22456/2236-3254.61504

  • GESTURES OF IL PRIMO MIRACOLO OF DARIO FO AND THE PORTINARI WORK IN THE ROBERTO BIRINDELLI WORK

    Melize Deblandina Zanoni
    DOI: https://doi.org/10.22456/2236-3254.61197

  • PERFOMANCE OF ZOÉ DEGANI’S SPACE: SCENOGRAPHY, SIGNS AND FEELINGS, BODI-THINGS AND COUPLING

    Lindsay Tarouco Gianuca
    DOI: https://doi.org/10.22456/2236-3254.61205

  • OBSERVATION IN DIALOGUE ABOUT THEATRICAL SOUNDTRACK

    Marcos Machado Chaves
    DOI: https://doi.org/10.22456/2236-3254.61485

  • A LOOK ON THE EASTERN REGIONS INFLUENCE IN WESTERN DIRECTORS OF XX CENTURY

    Ariane Guerra Barros
    DOI: https://doi.org/10.22456/2236-3254.61203

Conexões

  • IDENTITY AND REPRESENTIONS

    Kent Sjöström
    DOI: https://doi.org/10.22456/2236-3254.61503

Entrevistas

  • ENTERVEW WITH ISRAEL GÁLVAN

    Silvia Canarim
    DOI: https://doi.org/10.22456/2236-3254.61922