The Theater in the Community of Coletivo Estopô Balaio.
DOI:
https://doi.org/10.22456/2236-3254.145675Abstract
This article explores the relationship between aesthetics and politics, as proposed by philosopher Jacques Rancière (2020), to examine the processes of production and creation, as well as the dynamics of labor, organization, and management within Coletivo Estopô Balaio, located in the far east of São Paulo. The research draws on ethnographic data from a doctoral study in Social Anthropology to deepen the analysis of this thematic scope. For the Collective, theater is not merely a physical space but a social relationship that intertwines labor, artistic creation, and territory/audience. In this sense, the community serves as the foundation not only for artistic production and creation but also for the group's management.
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