FROM WRITING TO RECORDING THE SCENE IN THE DRAMATURGY OF THE SHOW QUEM TEM BOCA, VAI A ROMA, QUEM TEM SORTE, AO POLO NORTE

Authors

DOI:

https://doi.org/10.22456/2236-3254.106459

Abstract

The present work proposes to analyze the dramaturgy of the clown show Quem tem boca, vai a Roma, quem tem sorte, ao Polo Norte as a strategy to discuss the expansion of the dramaturgy concept in the current cultural scene. At the same time, it aims to think about the impact of this phenomenon on the investigation of dramaturgy as one of the traces of artistic making. Consequently, this work aproaches some questions surrounding the documentation in the theater, more specifically, those that refers to the resulting records from the creative process, which are, in part, sources for the study of the theatrical practice.

 

Keywords

Dramaturgy. Contemporary Scene. Theater Archive. Clownery. Creative Process.

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Author Biographies

Fabiana Fontana, Universidade Federal de Santa Maria (UFSM)

Professora do Departamento de Artes Cênicas da Universidade Federal de Santa Maria (UFSM)

Thayná Máximo de Almeida, Universidade Federal de Santa Maria (UFSM)

Formanda no Curso Artes Cênicas Bacharelado da Universidade Federal de Santa Maria (UFSM). Atriz na Cia de Palhaços Clowncando.

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Published

2021-05-31

How to Cite

Fontana, F., & de Almeida, T. M. (2021). FROM WRITING TO RECORDING THE SCENE IN THE DRAMATURGY OF THE SHOW QUEM TEM BOCA, VAI A ROMA, QUEM TEM SORTE, AO POLO NORTE. Revista Cena, (34), 229–237. https://doi.org/10.22456/2236-3254.106459

Issue

No. 34 (2021): Dossiê Pedagogia(s) das Artes Cênicas

Section

Artigos Extradossiê

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