TRAUMA AND SCAR IN THE WRITING OF THE ODISSEIA 116

Authors

DOI:

https://doi.org/10.22456/2236-3254.105692

Abstract

In this article I discuss the elaboration of the dramaturgy Odisseia 116 based on the concepts of memory, experience, narrative, trauma, scar, and autobiography, present in some essays by the German philosopher and critic Walter Benjamin (2012) in the book Magia, Técnica, Arte e Política. I also dialogue with some essays by the philosopher Jeanne Marie Gagnebin (2006), author of the preface to the book cited. I reflect the experience of narration from the essay O Narrador (2012) by Walter Benjamin, analyzing parts of the Homeric Odyssey and Odisseia 116. As a methodology, I rely on aspects of the genetic theater, understanding that the same is pertinent in the analysis, expansion and diversity of the documents worked here. As final considerations, I develop the possibility of writing that arises from different materials and inspirations through a process of rhizomatic characteristics, taking into account the potentialities of trauma and scarring.

 

Keywords

Dramaturgy. Autobiography. Travel. Trauma. Scar.

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Author Biography

Cleilson Queiroz Lopes, Universidade do Estado de Santa Catarina - UDESC

Ator, dramaturgo e professor de teatro. Doutorando em Teatro pela Universidade do Estado de Santa Catarina - UDESC.

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Published

2021-04-20

How to Cite

Lopes, C. Q. (2021). TRAUMA AND SCAR IN THE WRITING OF THE ODISSEIA 116. Revista Cena, (33), 86–98. https://doi.org/10.22456/2236-3254.105692

Issue

No. 33 (2021): Dossiê Arte e Trauma

Section

Artigos

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