The transformed perception of the one who sees herself

Authors

Keywords:

Popular cultures, anthropology, photography, racial relations, authorship

Abstract

The quota policy transformed the university community in a material and conceptual way, from its racial and consequently class composition, finally welcoming the black, indigenous, and low-income population, and paving the way for the epistemological disputes that non-Western thoughts fought in amidst the monoculture and hegemony of Western thought. This essay materializes a period before the quota policy in higher education and the emergence of other epistemological matrices in the policy of producing knowledge about African matrix popular cultures.

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Author Biography

Christiane Rocha Ciovana Falcão

Laboratório de Análise Fílmica, Programa de Pós-graduação em Comunicação e Cultura Contemporâneas da Universidade Federal da Bahia

References

CLIFFORD, James; MARCUS, George. (eds.). Writing culture: the poetics and politics of ethnography. Berkeley: University of California Press, 1986.

PEIXOTO, Clarice E.. Antropologia & Imagens: O que há de particular na Antropologia Visual Brasileira? Cadernos de Arte e Antropologia. Vol. 8, n. 1, 2019.

Published

2022-07-26

How to Cite

Rocha Ciovana Falcão, C. (2022). The transformed perception of the one who sees herself. Fotocronografias, 7(18), 108–121. Retrieved from https://seer.ufrgs.br/index.php/fotocronografias/article/view/126277

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