Cabaret or Musical Revue? Similarities, diferences and hybridization

Abstract

Cabaret originated in France as a satirical commentary on its own time. Created in the same country it became a naturalized citzen of Brasil, musical reuve aimed to critically review the social, political, and cultural events of its historical moment. Both extended the boundaries of theatricality and engaged in dialogue with the artistic avant-gardes of the 20th century. Today, in 21st-century Brazil, both have achieved a prominent position in discussions about contemporary performing arts, thanks to the work of researchers and artists. This article aims to trace the popular origins of cabaret and revue theater, identifying the historical trajectory of their respective concepts and scenic practices. The goal is to illustrate the similarities, differences, and hybridizations between them.