Storyline of a deconstruction on the play "O Miolo da Estória"

Abstract

The article presents an interview with Lauande Aires, a theater artist from Maranhão, in which he discusses the process of creating the play O Miolo da Estória. He talks about the importance of research and the incorporation of mythology and rhythm in his works, as well as the careful construction of characters, costumes, and scenery to unite the worlds of the worker and the "brincante" of Bumba meu boi from Maranhão. He emphasizes the focus on emotional depth and the release of bodily tensions to access true emotions during theatrical performances and the importance of intention in actor training. He also discusses the iconic bicycle scene and the use of lighting to create a suspended effect, emphasizing the desire to reinforce the fourth wall in the play, while maintaining the narrative element and involving the audience in the story. The interview provides an in-depth insight into the artist's creative process and highlights the importance of research, emotional depth, and theatrical technique in creating a successful play.